Musique classique pour quatuor à cordes

Dem wachsenden Trend zur Kammermusik vor allem junger Spieler kommt diese Sammlung einzelner leichter Quartettsätze aus Vorklassik, Klassik, Romantik und neuerer Musik entgegen. Partitur und Stimmen e...

Den wachsenden Trend zur Kammermusik vor allem junger Spieler kommt diese Sammlung einzelner leichter Quartettsätze aus Vorklassik, Klassik, Romantik und neuerer Musik entgegen. Partitur und Stimmen e...

Experience an unmatched masterpiece of musical humor! With this brilliant parody of the "Overture to the Flying Dutchman" – famously subtitled "as sight-read by a second-rate spa orchestra at 7 in the...

Immerse yourself in the fascinating sound world of chamber music with the expressive 'String Quartet No. 1 Op. 16'. The string quartet has long been regarded as the pinnacle of intimate musical dialog...

This string quartet is Gould's only substantial composition. The single movement is anchored around the key of F minor, with the writing dominated by contrapuntal passages culminating in an extended f...

This string quartet is Gould's only substantial composition. The single movement is anchored around the key of F minor, with the writing dominated by contrapuntal passages culminating in an extended f...

Welcher Musiker kennt das Problem nicht: statt Haydn, Mozart oder Beethoven ist etwas 'Leichtes' gefragt. Zur Geburtstagsfeier oder zur Kaffeetafel im Freien, zum Festbankett oder zur Weihnachtsfeier...

Dessau's String Quartet movement was written while he was also working on Brecht's opera Puntila. After Brecht's death in 1956 Dessau found himself looking for a new direction. On the one hand he was...

Although Paul Dessau's Second String Quartet is very closely related to twelve-note music, it cannot be said to owe its inspiration to the serial method in the strictest sense. René Leibowitz had intr...

Paul Dessau described his Third String Quartet, begun at Laguna Beach near Los Angeles in 1943, as predominantly lyrical. The song-like, melodious main theme of this one-movement work emerges from a s...

Dans cette œuvre, le quatuor devient un instrument composite unique. Cet instrument ne peut pas jouer des sons individuels mais plutôt des gestes composites, dont l'impulsion initiale liée à la produc...

Maintenant, je vais composer 3 quatuors à cordes , écrivait Schumann en 1838 à Clara Wieck et lui expliquait, dans une lettre du 17 mars 1838, ses raisons : Je me réjouis quand je pense aux quatuors ;...