Miles Davis Partitions pour big band

Despite the overall optimistic nature of the song, 'There's a Boat Dats Leavin' Soon For New York' ultimately serves the role of setting up the tragic ending of George and Ira Gershwin's 'Porgy and Be...

Recorded on the 1956 album Cookin' with the Miles Davis Quintet, this jazz standard composed by pianist Red Garland adapts beautifully for beginning jazzers. With a moderate tempo, riff-based melody,...

Recorded on the 1956 album Cookin' with the Miles Davis Quintet, this jazz standard composed by pianist Red Garland adapts beautifully for beginning jazzers. With a moderate tempo, riff-based melody,...

In 1987 Miles Davis took home the Grammy award for best jazz instrumental soloist for his performance on this composition by Marcus Miller. From the album by the same name, Tutu is creatively arranged...

Joué autour de 160 BPM, ce standard du jazz a été enregistré à l'origine par Miles Davis. Ce superbe tableau est une version funky-swing qui apporte une touche contemporaine. Les solos sont fournis po...

Played around 160 BPM, this jazz standard was originally recorded by Miles Davis. This superb chart is a funky-swing version to provide a contemporary flavor. Solos are provided for tenor and trumpet...

Joué autour de 160 BPM, ce standard du jazz a été enregistré à l'origine par Miles Davis. Ce superbe tableau est une version funky-swing qui apporte une touche contemporaine. Les solos sont fournis po...

Played around 160 BPM, this jazz standard was originally recorded by Miles Davis. This superb chart is a funky-swing version to provide a contemporary flavor. Solos are provided for tenor and trumpet...

In 1987 Miles Davis took home the Grammy award for best jazz instrumental soloist for his performance on this composition by Marcus Miller. From the album by the same name, Tutu is creatively arranged...

Les saxos font le gros du travail dans cette version facile du standard de Miles Davis. En outre, il y a un court solo de saxophone et un solo écrit ou ad lib pour la trompette. Il s'agit d'une mervei...

From his early cool period, this Miles Davis standard is arranged here in a contemporary setting featuring alto sax and flugelhorn on the melody. Solo space is provided for each, and a full band soli...

From his early cool period, this Miles Davis standard is arranged here in a contemporary setting featuring alto sax and flugelhorn on the melody. Solo space is provided for each, and a full band soli...

Arranged here in a medium swing style, this tune is a great way to introduce the music of Miles Davis to young players. The modal style makes soloing easier and a perfect opportunity to get everyone i...

Arranged here in a medium swing style, this tune is a great way to introduce the music of Miles Davis to young players. The modal style makes soloing easier and a perfect opportunity to get everyone i...

Arranged here in a medium swing style, this tune is a great way to introduce the music of Miles Davis to young players. The modal style makes soloing easier and a perfect opportunity to get everyone i...

Arranged here in a medium swing style, this tune is a great way to introduce the music of Miles Davis to young players. The modal style makes soloing easier and a perfect opportunity to get everyone i...

Les saxos font le gros du travail dans cette version facile du standard de Miles Davis. En outre, il y a un court solo de saxophone et un solo écrit ou ad lib pour la trompette. Il s'agit d'une mervei...

From his early cool period, this Miles Davis standard is arranged here in a contemporary setting featuring alto sax and flugelhorn on the melody. Solo space is provided for each, and a full band soli...

Miles Davis often used this signature riff tune to close his concert sets. Using background figures and other elements from the original recordings, Paul Murtha has skillfully assembled a full-blown c...

Miles Davis often used this signature riff tune to close his concert sets. Using background figures and other elements from the original recordings, Paul Murtha has skillfully assembled a full-blown c...

Recorded in the mid 1950s and also known as 'Trane's Blues, ' this jazz classic is credited to Miles Davis but reportedly penned by John Coltrane. Regardless, Michael Mossman's refreshing version craf...

The definitive recording of this jazz classic is by Bill Evans, with other notable recordings by Cannonball Adderley and Joe Henderson. Paul Murtha's arrangement for young groups features a Latin styl...