Mike Tomaro Partitions pour big band

One of the most famous jazz waltzes ever written, this Little Big Band setting of Miles Davis' classic skillfully uses the six-horn format to create an incredibly full sound. A flexible solo section i...

One of the most famous jazz waltzes ever written, this Little Big Band setting of Miles Davis' classic skillfully uses the six-horn format to create an incredibly full sound. A flexible solo section i...

One of the most famous jazz waltz's ever written, this small band setting of Miles Davis' classic skillfully uses the six-horn format to create an incredibly full sound. A flexible solo section is als...

Trombone and baritone sax are featured at the top in this nicely stylized setting. Written in an uptempo swing style and skillfully contrasting the brass and sax sections, this effective arrangement s...

From Stevie Wonder's acclaimed Innervisions album from 1973, this infectious funk tune has been covered by a variety of artists over the years and found its way into several movies. With a distinctive...

Recorded by Miles Davis on his landmark album Birth of the Cool, this jazz standard was composed by Denzil Best using the same chord changes as Count Basie's Jumpin' at the Woodside. This exciting cha...

Mike Tomaro brings us a bluesy and soulful rendition of this patriotic favorite that features either an alto sax soloist or vocal soloist. Great gospel feel for big band!

One of the most famous jazz waltzes ever written, this Little Big Band setting of Miles Davis' classic skillfully uses the six-horn format to create an incredibly full sound. A flexible solo section i...

Skillfully adapted directly from the famous version recorded by Miles Davis on the landmark album Birth of the Cool, this arrangement for standard jazz ensemble instrumentation features an advanced ha...

Recorded by Miles Davis on his landmark album Birth of the Cool, this jazz standard was composed by Denzil Best using the same chord changes as Count Basie's Jumpin' at the Woodside. This exciting cha...

This laidback cha-cha will cool off any program with its smooth groove and infectious melody. A written solo for first tenor is provided, but in his score notes Mike gives directors the option of exte...

Commissioned by the Lawrence University 2010 Jazz Weekend (Appleton, WI), this work features a straight 8th-note groove which creates a unique setting for creative solo work and exciting ensemble play...

Inspired by the music of Pat Metheny and Lyle Mays, this relaxed bossa casts piano in the primary solo role, with tenor sax taking a solo chorus midway through. Though the chart is relatively quiet, r...

Inspired by the music of Pat Metheny and Lyle Mays, this relaxed bossa casts piano in the primary solo role, with tenor sax taking a solo chorus midway through. Though the chart is relatively quiet, r...

From the 2006 David Benoit CD “Full Circle,” here is the lead-off tune in a marvelous adaptation for jazz ensemble. Mike Tomaro stays true to the lively Latin style of the original while providing sol...

Mike Tomaro's Latin charts are well known for being challenging and exciting to play, and this sizzling samba is no exception. Playing at the indicated tempo (half note = 116 in cut time) is important...

Commissioned by the Pennsylvania Unit of IAJE for the 2000 All-State Jazz Ensemble, this ambitious chart features two open solo sections (one for brass, one for saxes), several dramatic modulations, a...

Here is unique and creative take on Charlie Brown's favorite holiday tune. Featuring a relaxed swing style in 4/4 (rather than the usual 3/4), along with a rich harmonic palette and masterful little b...

Here is unique and creative take on Charlie Brown's favorite holiday tune. Featuring a relaxed swing style in 4/4 (rather than the usual 3/4), along with a rich harmonic palette and masterful little b...

Here is unique and creative take on Charlie Brown's favorite holiday tune. Featuring a relaxed swing style in 4/4 (rather than the usual 3/4), along with a rich harmonic palette and masterful little b...