Michael Philip Mossman Partitions pour big band

En 1977, Stevie Wonder était dans la fleur de l'âge et "Sir Duke" était en tête des hit-parades. Michael Mossman reprend ce tube connu et y ajoute sa touche personnelle. La section centrale se transfo...

En 1977, Stevie Wonder était dans la fleur de l'âge et "Sir Duke" était en tête des hit-parades. Michael Mossman reprend ce tube connu et y ajoute sa touche personnelle. La section centrale se transfo...

En 1977, Stevie Wonder était dans la fleur de l'âge et "Sir Duke" était en tête des hit-parades. Michael Mossman reprend ce tube connu et y ajoute sa touche personnelle. La section centrale se transfo...

En 1977, Stevie Wonder était dans la fleur de l'âge et "Sir Duke" était en tête des hit-parades. Michael Mossman reprend ce tube connu et y ajoute sa touche personnelle. La section centrale se transfo...

En 1977, Stevie Wonder était dans la fleur de l'âge et "Sir Duke" était en tête des hit-parades. Michael Mossman reprend ce tube connu et y ajoute sa touche personnelle. La section centrale se transfo...

En 1977, Stevie Wonder était dans la fleur de l'âge et "Sir Duke" était en tête des hit-parades. Michael Mossman reprend ce tube connu et y ajoute sa touche personnelle. La section centrale se transfo...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...