Michael Philip Mossman : Partitions difficile

One of the most familiar Latin standards is given a complete facelift by Michael Mossman in this creative and impressive sounding arrangement. You'll find harmonic wrinkles and rhythmic twists and tur...

One of the most familiar Latin standards is given a complete facelift by Michael Mossman in this creative and impressive sounding arrangement. You'll find harmonic wrinkles and rhythmic twists and tur...

This Santana hit has endured through the years and been recorded countless times. Here it is like you've never heard it before in the masterful hands of Michael Mossman! Arranged for David Sanborn, it...

This Santana hit has endured through the years and been recorded countless times. Here it is like you've never heard it before in the masterful hands of Michael Mossman! Arranged for David Sanborn, it...

This exciting Afro-Cuban composition is the opening cut from the 1993 album 944 Columbus, the final recording by Mario Bauza, one of the most influential figures in the development of Latin Jazz. The...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Written for and recorded by Mario Bauza, Michael Philip Mossman adds his own unique flare to this Dizzy Gillespie Latin jazz classic. Featured soloists include trumpet (of course), as well as trombone...

Here is a sizzling Afro-Cuban version of this Chick Corea classic that is sure to be an impressive addition to any program for mature bands. Perfect as a feature for you pianist, but the flexible solo...

This Santana hit has endured through the years and been recorded countless times. Here it is like you've never heard it before in the masterful hands of Michael Mossman! Arranged for David Sanborn, it...

One of the most familiar Latin standards is given a complete facelift by Michael Mossman in this creative and impressive sounding arrangement. You'll find harmonic wrinkles and rhythmic twists and tur...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Written for Jon Faddis and the Carnegie Hall Jazz Band, Michael Mossman gives this longtime favorite an outstanding treatment in a moderately slow swing style. Using imaginative rhythmic and harmonic...

Written for Jon Faddis and the Carnegie Hall Jazz Band, Michael Mossman gives this longtime favorite an outstanding treatment in a moderately slow swing style. Using imaginative rhythmic and harmonic...

Utilizing a unique blend of swing styles at various tempos, this marvelous composition can certainly be a focal point of any festival or contest program. The scoring is varied and impeccable, and ther...

Written for Jon Faddis and the Carnegie Hall Jazz Band, Michael Mossman gives this longtime favorite an outstanding treatment in a moderately slow swing style. Using imaginative rhythmic and harmonic...

Featuring a modal Celtic flavor, this original from Michael Mossman uses and energetic drive throughout along with a unique harmonic approach. Also included is solo space for tenor sax, and a section...

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.