Mark Taylor Partitions pour big band

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrast...

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!