Kendor partitions pour big band

As recorded by Count Basie on the album I Told You So, this contemporary ballad in a slow swing groove features solos for piano, tenor sax, and trumpet (or flugelhorn). Tenor and trumpet also pair up...

This accessible ballad, penned during Thad's later years in Denmark, is a rubato study in full-band expression. It opens with fortissimo brass, transitions to a quiet midsection showcasing saxes/woodw...

This accessible ballad, penned during Thad's later years in Denmark, is a rubato study in full-band expression. It opens with fortissimo brass, transitions to a quiet midsection showcasing saxes/woodw...

Exactly as recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on their Tales Of A Courtesan album, this slow, bluesy swing feature for bass trombone or tuba also boasts sax and brass solis, an ens...

Exactly as recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on their Tales Of A Courtesan album, this slow, bluesy swing feature for bass trombone or tuba also boasts sax and brass solis, an ens...

As recorded by the Bob Mintzer Big Band on Incredible Journey, this gospel ballad is a full-length solo feature for tenor sax. It starts with a rubato intro in 4/4 before switching to 6/4, and goes ou...

As recorded by the Bob Mintzer Big Band on Incredible Journey, this gospel ballad is a full-length solo feature for tenor sax. It starts with a rubato intro in 4/4 before switching to 6/4, and goes ou...

As recorded by the Bob Mintzer Big Band on Incredible Journey, this gospel ballad is a full-length solo feature for tenor sax. It starts with a rubato intro in 4/4 before switching to 6/4, and goes ou...

Scored for augmented jazz ensemble, this setting of the famous theme (a.k.a. Danny Boy) features legato woodwind flourishes and sustained brass chords. In his score notes, Nestico says that all real '...

Scored for augmented jazz ensemble, this setting of the famous theme (a.k.a. Danny Boy) features legato woodwind flourishes and sustained brass chords. In his score notes, Sammy Nestico says that all...

Recorded in 1967 by Count Basie & His Orchestra on the album Basie Straight Ahead, this beautiful tune featuring alto sax includes written solo lines for players lacking improvisation confidence or ex...

Starting and ending as a ballad in a comfortable two-beat style, the jazz waltz midsection provides essential contrast in this beautiful arrangement of the Rimsky-Korsakoff classic. As always, attenti...

Recorded by Miles Davis on his iconic album Miles Ahead (Columbia) and arranged by the great Gil Evans, this moody ballad featuring trumpet throughout is not a technical showpiece, but rather requires...

Recorded by Miles Davis on his iconic album Miles Ahead (Columbia) and arranged by the great Gil Evans, this moody ballad featuring trumpet throughout is not a technical showpiece, but rather requires...

features Tenor or Alto Sax

Recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on the album March Of The Tadpoles, the score notes for this beautiful work explain two major performance options. First, the introduction may be...

Commissioned by the Kentucky Music Educators' Association for its 2002 All-State Jazz Ensemble, this pensive tune featuring solo tenor should be played with an unhurried 12/8 feel. Except for two full...

Commissioned by the Kentucky Music Educators' Association for its 2002 All-State Jazz Ensemble, this pensive tune featuring solo tenor should be played with an unhurried 12/8 feel. Except for two full...

As recorded by the great Thad Jones-Mel Lewis Orchestra on the album Suite For Pops, this ballad showcases the breathy sound of flutes, the mellow sound of short flugelhorn solos (written lines provid...

As recorded by the great Thad Jones-Mel Lewis Orchestra on the album Suite For Pops, this ballad showcases the breathy sound of flutes, the mellow sound of short flugelhorn solos (written lines provid...

Features Trombone

Recorded in 1971 by Buddy Rich on the album A Different Drummer, this beautiful, even-8ths ballad features cameo written solos for trumpet, alto sax, and trombone; lead alto takes the only improvised...

Recorded in 1971 by Buddy Rich on the album A Different Drummer, this beautiful, even-8ths ballad features cameo written solos for trumpet, alto sax, and trombonelead alto takes the only improvised so...

One of the most beautiful ballads that Neil Slater has ever written, Places has been in the North Texas One O'Clock Lab Band book for a number of years and was finally recorded on their CD Lab 2004. T...