John Fedchock Partitions pour big band

As recorded by the Woody Herman Big Band on their 50th Anniversary Tour album, this medium blues opens with expandable solos for piano and bass before the dramatic full-band entrance. Then alto and tr...

As recorded by the Woody Herman Big Band on their 50th Anniversary Tour album, this medium blues opens with expandable solos for piano and bass before the dramatic full-band entrance. Then alto and tr...

This title track from the Grammy-nominated album recorded by Woody Herman's Thundering Herd is a medium-paced swing outing with solo space for trumpet and bari sax. A walking bass line, sax and brass...

This title track from the Grammy-nominated album recorded by Woody Herman's Thundering Herd is a medium-paced swing outing with solo space for trumpet and bari sax. A walking bass line, sax and brass...

Composed for the 2012 Jazz Cruise™ to feature New York bass trombonist Jennifer Wharton, this swing chart for proficient groups showcases a valuable, yet often overlooked member of the big band. The m...

Featured on Woody Herman's 1986 GRAMMY Nominated album, '50th Anniversary Tour,' this John Fedchock arrangement captures the unique elements of Thelonious Monk's composition and couples it with the ex...

Composed for the 2012 Jazz Cruise™ to feature New York bass trombonist Jennifer Wharton, this swing chart for proficient groups showcases a valuable, yet often overlooked member of the big band. The m...

This swing chart for proficient groups showcases a valuable, yet often overlooked member of the big band, the bass trombone. The melody is scored below the bass clef staff and into the pedal register,...

Commissioned by the New York University Jazz Ensemble, this medium uptempo foray with abstract overtones features solos by tenor and piano. The opening unison brass soli, joined by saxophone counterpo...

Commissioned by the New York University Jazz Ensemble, this medium uptempo foray with abstract overtones features solos by tenor and piano. The opening unison brass soli, joined by saxophone counterpo...

Commissioned by the New York University Jazz Ensemble, this medium uptempo foray with abstract overtones features solos by tenor and piano. The opening unison brass soli, joined by saxophone counterpo...

This beautiful ballad by the legendary trumpeter Freddie Hubbard was originally recorded on his 1970 album The Black Angel in small group form. This big band arrangement is courtesy of trombonist John...

On The Edge is an intense, uptempo blues recorded by John Fedchock's New York Big Band.(see otterdist.com cd section).The chart features dense voicings, rhythmically active figures and expandable solo...

A Drop In The Bucket is a medium groove shuffle for developing jazz ensembles with a simple melody and conservative ranges. Simple blues-like chord changes and expandable solo space is provided for te...

Commissioned by the Celebration of the Arts, Delaware Water Gap, PA. Grove City Groover is a creative shuffle excursion for medium-difficult bands, featuring thick orchestrations, with a hard-driving...

Recorded on the John Fedchock New York Big Band's CD No Nonsense, Blue After Two is a slow blues, with subtle sophisticated harmonies placed over an after-hours roadhouse 12/8 groove. After the subtle...

Blues du Jour was designed to be a flexible piece, enabling you to feature just about any soloist in your jazz ensemble. The solo beginning at measure 33 may be played by 4th Trumpet, 2nd Alto, or 2nd...

Though primarily Latin, the groove here also has funk roots. Even though the drummer should stress downbeats using the cross-stick figure, rhythms in the ensemble suggest a 2-3 clave that should be ob...

Latin Import is a bright samba featuring solos by soprano saxophone and piano, as well as showcasing the drums in exchanges with ensemble and an exciting open solo following the shout chorus. Energeti...

The Third Degree is a hard-driving showcase with alternating latin & swing feels, powerful ensemble exchanges and dense, swinging orchestrations. It features solos for trumpet, tenor sax and trombone....

John Fedchock's gentle 'Bossan Rio' enables developing bands the chance to experience Fedchock's signature writing style at the medium-easy level. This engaging chart features warm ensemble voicings a...

Recorded on John Fedchock's New York Big Band recording No Nonsense. Eleven Nights is a medium bossa with contemporary harmonies, evoking images of softer Latin works by Herbie Hancock. Featuring a so...

Featuring exciting ensemble writing and solos by alto and trumpet, this energetic samba makes an excellent finale to any big band program. To enhance stylistic authenticity, Latin percussion instrumen...

This is a medium level chart in the modal style with solos for alto and tenor saxophones. At a medium tempo, the arrangement features moderate brass ranges, swinging unisons, and ensemble figures, end...

An easy medium up-tempo swing chart, featuring moderate brass ranges and reoccuring rhythms along with a notated solo for tenor saxophone. Rhythm parts are completely notated, and also include chord c...