Hal Leonard partitions big band

After an initial explosion of brass, the rhythm section settles into a Rumba Flamenco groove and the chart really starts to cook. The saxes get a workout on this one supported by hot brass lines. Incl...

Supplementing the Essential Elements Jazz Ensemble Method, this extremely playable Latin number evokes the sea and the beach. It has interesting harmonies, appealing rhythms, and features a very appro...

This wonderful standard from the '30s receives a fresh and inviting treatment in the hands of John Berry. Featuring a medium swing style that alternates with sections of Latin, creative harmonies, and...

What a neat idea to turn this Henry Mancini classic into a medium samba groove! Your lead trombonist receives some well-deserved feature time and is joined briefly by the entire bone section. The ense...

It's not very often that you see the name Mozart appears on a jazz chart! Mark Taylor cranks up the creative juices as he features a light samba groove on a familiar classical theme. Slipping into a s...

Jerome Kern's classic ballad in an attractive setting for little big band arranged here as a cha-cha.

Composed in a light Bossa style, this is a great sounding feature for flugelhorn. Utilizing a wealth of orchestration colors in the accompaniment and a comfortable medium tempo, this is a terrific cho...

The trumpet section gets the spotlight for much of this Kenny Dorham standard, but there are still lots of interesting parts for all sections in this new arrangement by Michael Mossman. Written in a L...

John La Barbera has taken his well-known version of Chick Corea's Spain and done a great job of adapting it for the small band format. Certainly an exciting offering for mature players in an arrangeme...

This sophisticated and highly infectious mambo is written in a moderate tempo and features solo space for trumpet and alto sax (flute part optional). Originally composed for the Mario Bauza Orchestra,...

This is NOT the '60s pop hit recorded by Bobby Vee, but the classic jazz standard recorded by luminaries such as John Coltrane, Paul Desmond, and Horace Silver (and originally the theme song of the 19...

Recorded by the Cannonball Adderley Quintet in the 1960s, this distinctive samba was composed by Cannonball's brother Nat. Featuring a relaxed Latin groove and the familiar riff-like melodies, Mark's...

Recorded by Chick Corea in the early 1970s, Señor Mouse is a sophisticated samba that exemplifies Corea as a skilled and visionary composer. Mike Tomaro's sizzling chart for mature bands maintains an...

In the able hands of master arranger Michael Philip Mossman, this popular standard from the 1930s takes on new life. Using a mix of cha-cha and mambo styles, this marvelous arrangement becomes a solo...

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Written in a dynamic, fast, mambo style, saxes do most of the heavy lifting in this original from Michael Mossman, supported by punches and answers in the brass. With stunning harmonic treatments and...

Michael Mossman uses a moderately fast Afro-Cuban style to craft this setting of Duke Ellington's lesser-known work. This striking and fresh-sounding chart features tight harmonies and a driving rhyth...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Composed in the mid 1950s, Bim-Bom is considered the very first bossa nova! Notably recorded by artists such as Sergio Mendes, Astrud Gilberto, and Stan Getz, Roger's version of this familiar standard...

Commissioned by the South Carolina Band Directors Association, Finya Wulo (Mende - 'funeral song') is written using a distinctive 12/8 'bembe' feel in a moderate tempo. The scoring utilizes a small co...

The lush harmonies and flowing melody of this Ellington favorite are set in a medium samba style in this creative arrangement that takes full advantage of the six-horn format. In addition to full ense...

This familiar tune from the 1930s has become a favorite with jazzers over the years. Here's a wonderfully crafted arrangement in the six-horn format that starts out as a relaxed jazz samba, then moves...

Although the first hit recording of this enduring standard was by the Glenn Miller Orchestra in 1940, The Nearness of You has remained popular through the ages with recordings by countless artists. Ar...

From Dizzy Gillespie's Afro-Cuban stylistic period, here is his delightfully infectious Fiesta Mojo set in a bouncy medium samba groove. A small group starts things off (including optional flute) supp...

Recorded in the mid 1950s and also known as 'Trane's Blues, ' this jazz classic is credited to Miles Davis but reportedly penned by John Coltrane. Regardless, Michael Mossman's refreshing version craf...