Gloria Partitions

Ten hymns arranged for solo flute with an accompaniment suitable for piano, organ or other keyboard instrument. Includes such famous hymn tunes as Aberystwyth and Maccabeus together with other less we...

From Mozart's famed Twelfth Mass. Strength exudes from this Master Edition setting of the triumphant Gloria. Full vocal tuttis combine with a masterful accompaniment. Latin text, pronunciation guide,...

Infuse your repertoire with infectious groove and festive brilliance! The exhilarating "Jazz Gloria", published by the renowned Carl Fischer, seamlessly blends the traditional liturgical text with com...

This 8-minute work has three distinct sections that flow together without stopping. The 'Gloria' section that opens the work is exuberant and rhythmic. The 'miserere' middle section is poignant and st...

Courtney a créé un "mash-up" gagnant avec Hark the Herald Angels Sing, O Come All Ye Faithful et Angels We Have Heard on High.

A majestic, fanfare-like opening leads to an exuberant theme accompanied by a driving, yet not difficult piano part. Features solid choral writing, an echo section, and a legato 'B' melody which contr...

The meter often changes in Jay Althouse's provocative Gloria Allelu, but only the accompanist needs to handle the scattered five-four bars. Modern choral harmony, vast dynamic contrast, and captivatin...

Written when he was eighteen years old, Schubert's only setting of the Magnificat text is arranged here for mixed voices and piano. This exuberant piece begins with joyous acclamations in the opening...

Glorious choral writing is the key to this driving, contemporary setting. The perfect festival selection or opener for any concert, school or church, general or holiday (offers alternate lyrics for Ch...

A driving, festive choral composition appropriate for all seasons, including your December concerts. Exciting brass and timpani parts are optional or use the SoundTrax. Fresh sounding, yet straightfor...

Gemischter Chor (SATB)

Although this youthful composition by Puccini has been of for some time by musicologists it has generally remained unknown to a wider public. The score was published only in 1951 and a recording was m...

Das OffertoriumGloria et honore war von Carl Maria von Weber zu seiner 1818 in Dresden komponierten Messe Nr. 1 in Es-Dur op.75 für Soli, gemischten Chor, Orchester und Orgel gedacht. In den Ausgaben...

For soloists, SATB chorus, baroque orchestra (oboe, trumpet, bassoon, keyboard and strings) or keyboard. Both full and vocal scores make a clear distinction between original and editorial markings. Th...

This piece, written in 2008, is a setting of the Ordinary of the Roman Catholic Mass, although it is intended for concert rather than liturgical use. The celebratory nature of the text is underlined b...

Strassenmarsch (Marschbuch-Format)