Duke Ellington : Partitions moyen

Grand classique de swing moyen du catalogue de standards d'Ellington. Un complément parfait à la bibliothèque d'un combo.

Here is an excitingly different take on this Ellington swing classic done in a mambo style! Including a slightly twisted melody to fit the style, Latin master Michael Philip Mossman cleverly adds coun...

Here is an excitingly different take on this Ellington swing classic done in a mambo style! Including a slightly twisted melody to fit the style, Latin master Michael Philip Mossman cleverly adds coun...

Michael Mossman uses a moderately fast Afro-Cuban style to craft this setting of Duke Ellington's lesser-known work. This striking and fresh-sounding chart features tight harmonies and a driving rhyth...

The lush harmonies and flowing melody of this Ellington favorite are set in a medium samba style in this creative arrangement that takes full advantage of the six-horn format. In addition to full ense...

From Duke's Latin American Suite, 'Brasilliance' has a driving tenor feature with an exotic groove. This work is modal in nature with modern unison lines and rhythms.

Here is an excitingly different take on this Ellington swing classic done in a mambo style! Including a slightly twisted melody to fit the style, Latin master Michael Philip Mossman cleverly adds coun...

Michael Mossman uses a moderately fast Afro-Cuban style to craft this setting of Duke Ellington's lesser-known work. This striking and fresh-sounding chart features tight harmonies and a driving rhyth...

The lush harmonies and flowing melody of this Ellington favorite are set in a medium samba style in this creative arrangement that takes full advantage of the six-horn format. In addition to full ense...

I'm Just A Lucky So-And-So, written by Duke Ellington with words by Mack David, as performed by Ella Fitzgerald and arranged for voice and piano with guitar chords.

Including open solo space for any player, here's a swingin' chart on the Ellington classic arranged for a small group setting.

Including open solo space for any player, here's a swingin' chart on the Ellington classic arranged for a small group setting.

Maybe not as well-known as some other famous Ellington standards, yet What Am I Here For? is an engaging and tuneful composition that certainly deserves more notice. Arranged in a medium swing style,...

Nobody could swing like the Duke! Here is his medium swing standard In a Mellow Tone skillfully arranged for the six-horn format that also includes solos for trumpet and alto sax. The shout chorus is...

Here's one of the iconic tunes from Duke Ellington in a swingin' chart scored for the little big band format. Mark really gets the most out of just the six horn parts in this great sounding chart! Sol...

Wow! This is a show-stopping chart by arranger Alan Baylock of the Ellington/Tizol classic. The groove moves logically between an up-tempo swing, a 'Maiden Voyage' feel, a double time swing and a 12/8...

Wow! This is a show-stopping chart by arranger Alan Baylock of the Ellington/Tizol classic. The groove moves logically between an up-tempo swing, a 'Maiden Voyage' feel, a double time swing and a 12/8...

A great Ellington tune that uses simple chord progressions and riffs to maintain an infectious, relaxed, though forward-moving swing.

Including open solo space for any player, here's a swingin' chart on the Ellington classic arranged for a small group setting.

Maybe not as well-known as some other famous Ellington standards, yet What Am I Here For? is an engaging and tuneful composition that certainly deserves more notice. Arranged in a medium swing style,...

Nobody could swing like the Duke! Here is his medium swing standard In a Mellow Tone skillfully arranged for the six-horn format that also includes solos for trumpet and alto sax. The shout chorus is...

Here's one of the iconic tunes from Duke Ellington in a swingin' chart scored for the little big band format. Mark really gets the most out of just the six horn parts in this great sounding chart! Sol...

This arrangement was originally written in 1953 by Billy Strayhorn and featured clarinet and trumpet solos. Although it was recorded in the studio in 1953 and on several live occassions in 1965 (featu...