Cole Porter Partitions pour big band

This swingin' vocal chart with jazz ensemble is written in two keys. The high key (male) is E-flat with the range from middle C to top line F treble clef. The low key (female) is B-flat with the range...

Voici la transcription par Jon Harpin de "Just One Of Those Things", premier titre de l'album "Swing Easy" de 1954, le premier album Capitol à présenter les arrangements de Nelson Riddle. Ce morceau s...

Voici une version très différente de Night and Day de Cole Porter. Ce morceau de Ted Heath (Vocalion CDLK 4228) met en scène la batterie, la section des trompettes et deux trombones. La section des tr...

Voici notre transcription de la version d'Anita O'Day de 'I Love You' de Cole Porter. L'arrangement original a été réalisé par Billy May, sur l'album "Anita O'Day Swings Cole Porter with Billy May" de...

Transcrit à partir de l'album Cole Porter Songbook d'Ella, ce programme ne concerne que le chanteur, la section rythmique et le trombone. Les saxophones et les trompettes ne participent pas à ce morce...

Bill Holman's arrangement, from the Maynard Ferguson Band Boy With Lots Of Brass recording, is a wonderful medium-swing tune with solo space for piano, alto, and trumpet. This chart spans the spectrum...

Bill Holman's arrangement, from the Maynard Ferguson Band 'Boy With Lots Of Brass' recording, is a wonderful medium-swing tune with solo space for piano, alto, and trumpet. This chart spans the spectr...

This Al Cohn arrangement, from the Maynard Ferguson Band 'Boy With Lots Of Brass' CD, is a wonderful medium-swing tune. This chart is loaded with Al's supreme musical taste and sense of humor. There i...

As recorded by the Stan Kenton Orchestra on Adventures In Standards, this is a medium-swing chart on a great tune. Lennie uses a neat vamp in the trombones to offset the melody in the saxes. The full...

This was recorded by the Stan Kenton Orchestra on Back To Balboa, and it is a highly original, exciting chart (latin/swing) on a great standard tune. Johnny Richards wrote for Kenton as well as anyone...

This may be the all-time greatest jazz arrangement of a standard tune. Recorded on the Contemporary Concepts LP, this great standard is turned into a marvelous vehicle for solo statements from alto, t...

When Lennie arranged for the Stan Kenton Orchestra, he was able to capture the Kenton sound without a lot of high-range problems or difficult concerns for the players. Solo space for trombone. Recorde...

Originalarrangement von der CD 'That's My Band - Swing it! Vol. 3'

Bring the unmistakable glamour of the golden swing era straight to your stage! With "I've Got You Under My Skin," Belwin Music presents a timeless classic from the Great American Songbook in a first-r...

L'arrangeur Dave Rivello traite ce grand morceau comme une valse de jazz. Il a beaucoup d'énergie, une texture riche, une harmonie contemporaine, un solo d'alto 1 (écrit) et la tessiture de la trompet...

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This Aric Schneller arrangement is a burnin' swing chart of a Cole Porter jazz standard. Great energy is created with the 180 BPM tempo, the solo space for alto 1, and a fierce unison horn interlude....

You'll love this swinger that is played around 168 BPM. This chart is outstanding, the song is a jazz standard, the lead trumpet range is to written F-sharp, and written-out solos are provided for alt...

Une version contemporaine de ce standard arrangée dans un groove funky joué autour de 136 BPM avec le groove allant vers un boogaloo de temps en temps. La trompette solo s'étend jusqu'au la écrit au-d...

A swinger on a great jazz standard. Played around 160 BPM, this chart is packed with solis for all sections, especially saxes. Lead trumpet range is to written G on top of the staff. Then, add suggest...

Découvrez ce tableau facile à vivre qui oscille à 132 BPM. Ce grand standard de Cole Porter est arrangé avec des solos écrits de ténor, trompette et alto avec une cadence d'alto. La tessiture de la tr...

Voici une transcription de grande classe de la version de Night and Day de Frank Sinatra, réalisée par Jon Harpin à partir de la partition originale de Nelson Riddle. La touche Riddle est bien présent...

Il s'agit d'un String Pack optionnel pour notre arrangement de "I've Got You Under My Skin", qui comprend les violons A, B et C (3 copies chacun), les altos (2 copies) et les chellis (2 copies), ainsi...