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An original, newly composed madrigal written for developing SAB and SSA choirs. Great for any choir of any size learning to sing in the madrigal style. The unique text, written in 1912 by William Jero...

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

Much repetition and a catchy makes this 7/8 number deceptively easy to learn. Opens with eight measures in 7/8, then a smooth, homophonic andante section in 4/4, followed by a repeat of the opening 7/...

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

A finely crafted edition of the classic English madrigal. The editing and easy-to-read open score are right on target for today's choirs. Fluid contrapuntal sections contrast with full sounding homoph...

Mark Hayes' newest spirital arrangement is in the classic, time-honored choral style, with full, a cappella scoring throughout. Powerful sectional writing often contrasts the men with the women, and s...

Sally Albrecht has created this swinging, original spiritual in editions for SATB and SSAB for mixed groups of all ages. The basses open with the rhythmic melody and the other voices join in turn. Inc...

New for SSA and SATB! Russell Robinson has now adapted this widely performed madrigal for treble and SATB choirs. It's superbly reduced to preserve the harmonic and melodic structure of the original 5...

Walk a mile in your neighbor's shoes. You'll understand them better if you do.' That's the story behind this a cappella, spiritual-style original. Filled with surprising musical twists and turns; it's...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

This trio of fresh, new, madrigals from Jay Althouse is a valuable addition to the choral repertoire of 3-part and SSA choirs. And at 1.75, it's quite a value. The first is in a traditional madrigal s...

A new classic spiritual arrangement from one of the finest choral arrangers of our era, Mark Hayes. If you're familiar with Mark's work, then perhaps little more needs to be said. The harmonies are tr...

It's an original spiritual with a touch of the traditional I Want to Be Ready. It's fresh and singable, with solid part writing. And just when you think the exciting original melody is about to end, t...

Patrick Liebergen has taken a delightful chanson by Jacques Arcadelt and adapted it for contemporary singers while retaining the essential Renaissance feel of the work. Moderate ranges. An optional pi...

Another well-edited arrangement by Russell Robinson from the madrigal repertoire. Sung a cappella, or with the piano, the men's part spans only six notes in an easy range for changing voices. Charming...

Only Mark Hayes could so brilliantly transform this favorite spiritual into an thrilling new arrangement for your advanced choir. Each section takes its turn singing the vibrant melodic theme while ot...

With a text in Italian or English, clear choral phrasing, and excellent voice leading, this new voicing of the Renaissance classic is just right for SSA choirs. Informative performance notes and a pro...

It's hard to keep a straight face while singing this hilarious novelty arrangement for 'serious' choirs. Sung entirely on syllables which imitate the sounds of Rossini's original orchestral percussion...

A contemporary a cappella madrigal. Filled with traditional 'fa la la's' and resonant modern chords, Wintertime Cheer even includes a part for optional hand drum or tambourine. Jay Althouse's setting...

Bring the house down with this spectacular rendition of the widely-known Ezekiel Saw the Wheel by one of the most skilled arrangers of our time. Mark Hayes opens with a slow, soulful introduction and...

Rarely has Renaissance repertoire been this fun to sing or easy to identify with. Sung in English, French, or a combination of both, this playful tune pokes fun at gossiping and is best performed with...

Rarely has Renaissance repertoire been this fun to sing or easy to identify with. Sung in English, French, or a combination of both, this playful tune pokes fun at gossiping and is best performed with...

Show off the a cappella achievements of your advanced choir with this stunning tour-de-force by one of Alfred's best, Sally K. Albrecht. Half of the group chants a rhythmic ostinato accompanying the i...

There are several editions of this famous 16th century work, but none as well crafted as this one by Sherri Porterfield. The open score is easy to read and the editing is right on target for today's 3...