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Blending scholarship and practicality, this performing edition of a Palestrina masterpiece can be performed a cappella. Or, employing the optional instrumental parts for strings in C, Alto and bass cl...

Beginning with a sound-scape where the choir creates the sound of waves and wind, this is a piece for the most adventerous choirs. Once the mood is established, a single tenor voice begins the poem, f...

Moved by the horrific Orlando night club shooting in June of 2016, Ellingboe set this poem to music as an outpouring of grief, yet also of hope, that all is not lost and that, indeed, This Is A Good W...

Commissioned by a consortium of choruses including Chanticleer, The Dale Warland Singers, and The Phoenix Bach Choir, this beautiful a cappella setting of Psalm 86 is a delicate powerhouse. In the tex...

Jazz musician, Tedd Firth, has created this new arrangement of the classic melody and text for Judith Clurman and her professional choir Essential Voices USA. Beginning with a lush, a cappella opening...

Written as a companion piece to the 40 voice Renaissance motet by Thomas Tallis Spem in Alium, this music is spatial and conceived with reverberant acoustics in mind. Each of the 3 choirs is made up o...

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Inspired by Rachmaninoff's All-Night Vigil, Vespers is a 12-movement English-language work in the Eastern Orthodox tradition. Suited to concert and liturgical settings, it draws from several Orthodox...

The shades of Finzi and Vaughan Williams are strongly present in these three delightful unaccompanied choral settings, and yet the style and execution are wholly Rutter's own.

This exquisite piece has been made available as a separate choral leaflet. It is also in the anthology Weddings for Choirs. Ideal for concerts, and special occasions such as weddings and anniversaries...

This setting of a poem by William Blake is evocative and appealing. Jackson ingeniously offsets simple, pure harmonies against moments of chromaticism to create beautiful, fresh music which perfectly...

Helvey's skilful arrangement of the popular hymn by American Baptist minister Robert Wadsworth Lowry is joyous and affirmatory. It is suitable for performance throughout the liturgical year, and the s...

This setting of the Song of Songs is a fine example of Skempton's distinctive ability to distil and express the emotional essence of a text. Beautifully understated, and employing a straightforward to...

'My Love has Died for Me' is taken from Passion Music, a concert and liturgical work that epitomizes Todd's love of blending jazz and choral music. Recurring melodies, changing metres, and extended ha...

Setting a beautiful text by Charles Bennett, this is a gentle, optimistic piece that remembers those lost to conflict and looks encouragingly towards peace. The tenor solo is supported by vocal accomp...

This sophisticated, jubilant setting of a macaronic text by Kevin Crossley-Holland begins with an emphatic opening refrain before setting off on a sprightly dance through fluctuating 2/2 and 7/8 time...

Following Jackson's settings of the seven 'O' antiphons (Seven Advent Antiphons), this is a setting of the text recognised as the eighth 'O' antiphon and performed as such in many Christian traditions...

The Scholar is a sensitive setting of Robert Southey's poem that explores a man's kinship with the dead. With Bednall's characteristic metrical fluidity and effective word setting, this piece will pro...

This setting of a tune from The Sacred Harp is strong and march-like, with accented rhythms and percussive vocal lines contributing to a rousing overall effect. It was originally published as part of...

Victimae paschali laudes is an atmospheric arrangement of the plainsong melody for this Latin text for Easter Sunday. Lawson employs interjections of 'alleluia' within the main text as an expression o...

Lightly come or lightly go is a playful setting of James Joyce's poem of the same name for SATB double choir. The two choirs portray the conflicting emotions expressed in the poem demonstrated by the...

Skilfully set to tender words by the poet e e cummings, 'I carry your heart' is a secular work originally for men's voices, rescored by the composer in this version for mixed voices. The piece was com...

This is a tender setting of a text by American poet Edith Franklin Wyatt that speaks of companionship and the joys of sharing it as we travel along the road of life. Hagenberg employs her rich harmoni...

This contemplative setting of Psalm 23 presents the well-loved 'The Lord is my Shepherd' text within a four-part, homophonic texture. Hymn-like and lyrical, this unaccompanied composition is illustrat...