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This beloved American folk lullaby incorporates the repeated word hush-a-bye throughout the arrangement, creating a sweet and calming effect as the melody weaves in and out between the different vocal...

With a special connection to the poetry of Langston Hughes, Kirke Mechem has written a new, a cappella spiritual. Opening with a musical statement by a soprano soloist, the soloist is featured through...

Jon Washburn has crafted a lush and dramatic setting of this traditional Japanese folksong. Using the choir as a traditional Japanese stringed folk instrument, Jon sets the mood with a gentle vocal ac...

THE GIFT WAS CREATED WITH THE LONG, WARM REVERB OF A CATHEDRAL IN MIND. THE REQURED THE COMPOSER TO CREATE SPACES IN THE MUSIC WHICH LEAVE ROOM FOR ECHOING RESONANCE. IT IS DREAMLIKE AND IMPRESSIONIST...

The text of this exciting choral work is based on the inscription on the Statue of Liberty. It will be sung for President Barack Obama, Vice President Joe Biden, their families and other invited frien...

Commissioned to honor a marriage celebration, this text by the early 20th-century poet, Amy Lowell, speaks to love and commitment. But the title is enigmatic (no sprigs of resemary are mentioned in th...

Reflections from composer Jameson Marvin on a love that is quiet and secure as a result of a life well lived and well loved. And even after many years together, the excitement of a love that can still...

Dale Warland Choral Series A Lover's Journey is a set of four pieces which chronicles the extraodinarily commonplace yet supremly elegant story of love and valentining. Written as a Valentine to The K...

Setting the Wendell Berry To My Mother but incorporating it for his parents, Joshua Shank portrays the sense of wandering and confusion in the early sections of his music but ultimately finds the reve...

Using the sturdy but lilting Shaker tune, Jeffrey Douma has crafted a beautiful a cappella setting appropriate for any good high school or college choir. With a text that is as important today as it w...

Though it sounds very much like a folk song, Lorena was actually composed in 1856. It became extremely popular during the Civil War, when it was a favorite of both Confederate and Union soldiers who l...

This arrangement of the beloved folk song was first premiered by the Yale Glee Club in the fall of 2006, and has since become an audience favorite. Probably referring to the Red River that flows north...

Donald Grantham has set the beautiful and descriptive Jane Kenyon Poem in a serene and gentle musical pallet. With lush harmonies and much rubato within a slow tempo, this is atmospheric in its final...

These three choral vignettes are inspired by the whimsical poetry of Emily Dickinson. All three pieces require a free play of fancy and imagination. Using extended, aleatoric passages, non-metrical an...

Long, legato lines and shifting tonal centers describe this setting by Matthew Emery of this famous James Joyce poem. Speaking of the power of both love and music and how they intertwine and collide,...

From the pen of rapidly rising young composer Matthew Emery and winner of the 2013 ACDA Raymond W. Brock Memorial Student Composition Contest, this a cappella setting of the Robert Herrick poem is a b...

Lux Aeterna by Ivo Antognini for unaccompanied SATB choir.

With a text from the Celtic collection Carmina Gadelica these words speak directly from the heart, in simple and poignant language that is so often a creative departure from mainstream religious writi...

This work is dedicated to the memory of the legendary choral director Paul Salamunovich and his favorite musical genre of Gregorian chant. The composer has written an original chant in the Gregorian s...

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I am as a mantra for existence. The use of a dramatic sopra...

This wonderful parable by Will Allen Dromgoole has a dreamy quality and the music reflects that with a mix of soft jazz and classical stylings. Syncopated vocal accompaniment creates an effect that fe...

Written for the 100th anniversary of the St. Olaf choir, this work is commensurate with ability of one of the great choirs in America. The music makes consistent use of divisi texture, expansive arcs...

This haunting, introspective plea for relief begins as a near-whisper and rises to an intense clangor. Through the mantra-like repetition and gradual transformation of the words from this timeless Psa...

Jonathan Tunick has long been regarded as Broadway's preeminent orchestrator and he has been Stephen Sondheim's primary orchestrator from the beginning of his career. He is also a skilled and versatil...

This beautiful text from Ovid's Metamorphoses speaks of the creatures named for the time they first appear: vespertilians (bats). Not scary or to be feared, rather, here they slip into shadows with tr...