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Enjoy the contrapuntal textures and fluid lines of the High Renaissance in this 16th century masterwork by the Spanish composer Tomas Luis de Victoria to the text from Isaiah 53. Duration: ca. 3:20.

Two American folk classics are combined in this fresh setting that will be easy to learn and fun to perform! With a spinning wheel like accompaniment, harmonic surprises and a contrasting a cappella s...

Two American folk classics are combined in this fresh setting that will be easy to learn and fun to perform! With a spinning wheel like accompaniment, harmonic surprises and a contrasting a cappella s...

It is the lovely and lofty harmonies that Dr. Eglin crafts to Blew's 19th century poem that enable this choral to work well in both school and church. Using a contemporary madrigal style with a beseec...

Eglin has set The Lord's Prayer to music using a modern madrigal style. Tender suspensions and beguiling harmonies add a profound depth to this familiar prayer, written in Latin. Excellent for church...

Dr. Cristian Grases of USC is a native of Argentina. He is the editor of a new series with Gentry called The Choral Music of Latin America and the Caribbean, and it is proving to be a delightful colle...

Dr. Cristian Grases of USC is a native of Argentina. He is the editor of a new series with Gentry called The Choral Music of Latin America and the Caribbean, and it is proving to be a delightful colle...

Robert H. Young, perhaps the father of the 20th century American madrigal, brings us a romantic setting of Cherry Ripe. An ancient text unfolds into Young's caring touch with sonorous sounds that care...

This ancient Greek prayer asking for God's mercy has been selected for the Bruce Rogers Choral Series. The music is written largely in a homophonic style with shifts in harmony functioning like buildi...

How great our joy to find a William Hall arrangement of this classic Christmas Hymn that had never been published. Dr. Hall's experienced understanding of the voice beams through with this superb edit...

Alonso de Tejeda (1556-1628) was a Renaissance writer from Spain. With beautiful, flowing contrapuntal lines we hear the Latin text praising God for the sacrifice and crucifixion of Christ. Church cho...

Stacey sait comment tirer le meilleur parti d'un morceau spirituel - ses arrangements sont captivants et frais. Celui-ci est particulièrement agréable, commençant librement puis se balançant d'un côté...

Utilisations : Noël, Concert Écriture : Matthieu 2:1-12 ; Luc 2:8-14 Ce néo-spirituel jazzy met de la fraîcheur dans l'hiver. A cappella, à l'exception d'une basse acoustique facultative, cet hymne a...

John Philip Sousa was an American composer and conductor best known for his military and patriotic marches. Sousa has over 100 marches to his credit, but this is his most successful and influential pi...

Written in the Renaissance madrigal style, this is a real change of pace for the developing choir. It is crafted to be sung a cappella but if your choir isn't ready for that yet there is a piano part...

Text from Psalm 121. For SATTB A Cappella.

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

The Alice Parker Choral Series. Text by Y. Sheinburg. Rise up, let's go, rise up, Comrades, return! For SATB a cappella. Rehearsal piano part included.

Chanukah song. The Westminster Conservatory Youth Chorale Jewish Music Series. Based on the traditional folk song. For SATB a cappella, rehearsal piano part included.

The Westminster Conservatory Youth Chorale Jewish Music Series. For SATB a cappella, rehearsal piano part included.

NEW! Written for the 2000 Convention of the American Guild of Organists, An American Kedushah is a monumental piece. Working closely with Eleanor Epstein, conductor of the Zemer Chai Chorale of Washin...

Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Thomas Tallis (1505-1585) was equally at ease composing simple settings of English texts, and more florid Latin motets, as the examples in this collection show. Includes: Hear the voice and prayer; If...

Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...