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One of four songs presented to Robert Schumann by his wife Clara, this setting is a shining example of the composer's ingenuity, and is a wonderful introduction to Romantic era style and performance p...

See the light sets a text by the composer inspired by the Hawaiian story 'The Bowl of Light'. With its uplifting melodies and energetic rhythms, this accessible piece explores the light in each person...

Ramsey's characterization of the fairy's monologue from A Midsummer Night's Dream is both fun and imaginative, with rhythmic fluidity, a driving piano part, and clever accentuation perfectly complemen...

This secular work for upper voices sensitively sets Langston Hughes's poem of the same name. A lilting melodic line, eloquent part-writing, and an effective piano part combine to create a piece that w...

This is a beautiful setting of an anonymous medieval text that follows a broken-hearted lover into the woods. Fluctuating between major and minor keys, Chilcott's melody is full of nostalgia and grows...

This is an uplifting setting of a fun text by Christie Dickason that characterizes the sky in an imaginative way. The compelling melodies are underpinned by a dynamic piano part, and a contrasting mid...

With "The Lake Isle of Innisfree", the renowned Oxford University Press presents a moving and atmospheric setting of William Butler Yeats' celebrated poem. Scored for three-part upper voices (SSA) and...

This delicate, spring-like poem, by Kevin Crossley-Holland, is an affectionate salutation to a newborn babe. After a hushed introduction of whispered welcomes, the voices burst into a dance-like song...

Grow is a warm and heartfelt setting of words by the composer that celebrate human personal growth, comparing this to the season change from winter to spring. A rocking piano part underpins the eminen...

With a text by Eugene Field, Higgins' charming melodies gently rock in compound time and start off in unison before growing into a simple two-part texture. The voices are supported by a busy piano par...

With a text by the composer, this is a beautiful piece about optimism, companionship, and the belief that 'all will be well'. Todd's gentle melodies are supported by a delicate, pulsing piano accompan...

Setting a tender poem by Alfred, Lord Tennyson, this lullaby is full of sweet and recurring melodies that rock gently in 6/8 time. The vocal lines are well supported by a twinkling piano part and comb...

This sparkling celebration of nature is inspired by the snowy winters of the composer's native Canada. It was originally published in a version for SATB, solo cello, and piano as part of the five-move...

Like the original version for SATB voices, this upper-voice arrangement of Wide Open Spaces reflects on the journeys and adventures to be found in the wide opens spaces within ourselves and in the wor...

This uplifting piece sets a text inspired by Julian of Norwich, with additions by the composer. Quartel's intertwining vocal lines are beautifully combined with a soaring violin part and flowing piano...

Bring the splendour and drama of the grand opera stage to your choral repertoire! With 'Three Opera Choruses For Upper Voices', renowned publisher Oxford University Press presents an exquisite selecti...

Although quite short, this is one of Clarke's boldest and, in some respects, most ambitious compositions. It sets Shelley's magnificent ode to the Evening Star.

Discover a musical gem of timeless beauty with Rebecca Clarke's "Ave Maria". This exquisite setting for unaccompanied treble voices (SSA) marks a significant milestone in choral music: it was the very...

A stirring text combined with solid choral writing make this an ideal choice for concerts and festivals. Perfect for massed choirs or for any size choir. Starts small, builds, and then ends quietly: '...

Sally Albrecht has taken a famous text from Much Ado About Nothing and set it to a charming, original melody for SSA voices. The piece has a madrigal-like quality, complete with a 'hey nonny, nonny' s...

An outstanding concert work with a powerful text for SATB and SSAA choirs. Careful attention is paid to the text with mostly homophonic writing and an A-B-A form. The piano part is not difficult and s...

Sung entirely on 'fa-la-la' and 'plum,' this novelty piece successfully transforms Tchaikovsky's orchestration into a light and lively a cappella choral. A jovial choice for holiday performances, Jeff...

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...

Choirs will achieve a quality sound as they perform this richly woven tribute to singing and music. Features optional solos in the pensive opening, then builds to the final statement, 'I cannot be sil...

Now this favorite aria from Handel's opera Semele can be enjoyed by treble choirs of any age. The nimble new piano part aids in shaping the legato choral phrases, just as the augmented interludes prov...