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This delicate, spring-like poem, by Kevin Crossley-Holland, is an affectionate salutation to a newborn babe. After a hushed introduction of whispered welcomes, the voices burst into a dance-like song...

With a text by Eugene Field, Higgins' charming melodies gently rock in compound time and start off in unison before growing into a simple two-part texture. The voices are supported by a busy piano par...

With a text by the composer, this is a beautiful piece about optimism, companionship, and the belief that 'all will be well'. Todd's gentle melodies are supported by a delicate, pulsing piano accompan...

Setting a tender poem by Alfred, Lord Tennyson, this lullaby is full of sweet and recurring melodies that rock gently in 6/8 time. The vocal lines are well supported by a twinkling piano part and comb...

This sparkling celebration of nature is inspired by the snowy winters of the composer's native Canada. It was originally published in a version for SATB, solo cello, and piano as part of the five-move...

Like the original version for SATB voices, this upper-voice arrangement of Wide Open Spaces reflects on the journeys and adventures to be found in the wide opens spaces within ourselves and in the wor...

This uplifting piece sets a text inspired by Julian of Norwich, with additions by the composer. Quartel's intertwining vocal lines are beautifully combined with a soaring violin part and flowing piano...

These three choruses are extracted from the anthology Opera Choruses. Orchestral material is available on hire.

Although quite short, this is one of Clarke's boldest and, in some respects, most ambitious compositions. It sets Shelley's magnificent ode to the Evening Star.

This exquisite setting for SSA unaccompanied voices of a well-known Marian motet (in Latin) was the first of Rebecca Clarke's choral works ever to be published.

A stirring text combined with solid choral writing make this an ideal choice for concerts and festivals. Perfect for massed choirs or for any size choir. Starts small, builds, and then ends quietly: '...

Sally Albrecht has taken a famous text from Much Ado About Nothing and set it to a charming, original melody for SSA voices. The piece has a madrigal-like quality, complete with a 'hey nonny, nonny' s...

An outstanding concert work with a powerful text for SATB and SSAA choirs. Careful attention is paid to the text with mostly homophonic writing and an A-B-A form. The piano part is not difficult and s...

Sung entirely on 'fa-la-la' and 'plum,' this novelty piece successfully transforms Tchaikovsky's orchestration into a light and lively a cappella choral. A jovial choice for holiday performances, Jeff...

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...

Choirs will achieve a quality sound as they perform this richly woven tribute to singing and music. Features optional solos in the pensive opening, then builds to the final statement, 'I cannot be sil...

Now this favorite aria from Handel's opera Semele can be enjoyed by treble choirs of any age. The nimble new piano part aids in shaping the legato choral phrases, just as the augmented interludes prov...

Written in the style of a folk song, this exquisite original choral captures the essence of a tender love that lasts forever. 'Where the sea meets the sky, I know it's there that you and I will be tog...

From the majestic opening fanfare, you'll know that this piece is something special. Wonderful echo format makes for easy learning. This powerful new work is appropriate for general and holiday concer...

This balletti from the Renaissance period should be performed lightly and energetically. Three-part choirs of any gender may choose to sing in Italian or English, a cappella or accompanied.

This classical opera chorus is performed at the end of Mozart's Mitridate by five leading characters who pledge freedom for their country. An optional English text is printed in the octavo, or a phone...

Singers have long cherished this staple of the solo repertoire, and now it is beautifully set for choral groups of any size. Teach all of the same lessons you learned from your favorite vocal instruct...

A refreshing change of pace for SSA choirs. Dvorák's melody, inspired by the folk music of Moravia, delights the ear, and Dr. Liebergen's English text tells a whimsical love story. A fulfilling experi...

The title says it all. It's the story of the ballet, set to the music of the ballet, and it only takes…(you guessed it)…three minutes to perform. Terrific!

From the French opera Armide comes this joyous chorus for women's voices. Distinctly Baroque, Dr. Liebergen's SSA arrangement includes a brief instrumental introduction, optional parts for two flutes...