Partitions de Chœur et Voix pour tous les ensembles

Faure was not drawn to compose a Requiem because of the death of a loved one, even though his mother had died during the early stages of composition and his father had passed away two years before. Fa...

The King Shall Rejoice is a Coronation Anthem for King George II. Scored for six-part choir, SAATBB, although with some modifications can be used for SATB. The accompaniment presents a practical keybo...

Bononcini wrote many cantatas, but this is his sole setting of the Stabat Mater. This Baroque mass manifests a flavour of Viennese traditions as well as native Italian melodic strengths. Composer and...

Reynaldo Hahn 's Songs And Madrigals for three- and four-part choir. The time machine has no secrets for Reynaldo Hahn (1874-1947). After plunging his contemporaries into the delights of Renaissance r...

« Les dernières heures du Sauveur » de Louis Spohr, composé en 1835, est l'un des oratorios de la Passion les plus importants du XIXe siècle. Le texte en vers libres du célèbre journaliste Friedrich R...

« Les dernières heures du Sauveur » de Louis Spohr, composé en 1835, est l'un des oratorios de la Passion les plus importants du XIXe siècle. Le texte en vers libres du célèbre journaliste Friedrich R...

From the collection John Rutter Carols for SA and Men, this gentle yet uplifting carol was originally commissioned for the Choir of King's College, Cambridge. Rutter's gift for melody is in evidence t...

The string accompaniment is available on hire and for sale.

Apart from a large number of vocal church music compositions, Hermann Schroeder wrote two settings of the responsory Ecce sacerdos magnus in honour of the festive reception for a bishop. The older com...

Für gemischten Chor und Orgel - Partitur (schwed.)

Orgelauszug - Kantor, einstimmiger Chor (Gemeinde) und Orgel (gemischter Chor SAATB ad libitum) - englisch

Not no faceless Angel is a beautifully reflective work. Originally commissioned by Joy Hill and the RCM Junior Department, the work is a sensitive setting of words by Tanya Lake. The themes of loss an...

These familiar and well-loved words are set with great simplicity and attractiveness. The graceful unison tune is well supported by the piano, and the flute part (included as the last page) weaves a j...

Il s’agit d’une pièce lente et méditative inspirée du « Song 13 » d’Orlando Gibbons, qui met en musique un texte tiré d’un poème de George Herbert datant du début du XVIIe siècle. Des lignes vocales s...

This is a slow, meditative piece based on Song 13 by Orlando Gibbons, setting a text from an early seventeenth-century poem by George Herbert. Simple, homophonic vocal lines are intertwined with a del...