Partitions de Chœur et Voix pour tous les ensembles

Here is a work about light. Light which brings peace, hope, awareness, wholeness. The a cappella writing is descriptive and transparent and a wonderful vehicle for exploring choral colors.

Rubato phrasings and delicate word painting are the gentle elements that move this beautiful new setting of the iconic Pickthall poem. Shifting tonal centers, divisi in all voice parts and the a cappe...

Written in a Foundation for Small Voices song-writing workshop hosted by the Cincinnati Children's Choir, the student's message is loud and clear - 'Whatever your journey, whatever your beliefs, whate...

This beautiful text by Canadian poet Bliss Carman speaks to themes of peace, thankfulness and humility. The texture is mostly homophonic with brief sections of divisi to illuminate colors and images i...

Heavenly Home is a 13-minute cycle of a cappella settings of beloved 19th century religious songs, all of which share the text imagery of heaven as 'home'. Each movement features newly-composed materi...

Here is a collection of three of the most popular spirituals in the repertoire. Down To The River To Pray, Deep River and In That Great Gettin'-up Morning are arranged for success. Numbers 1 & 3 are a...

Nights in armor is a suite for a cappella chorus which reflects on the themes of Arthurian legend as brought to verse by Alfred, Lord Tennyson in Idylls of the King. Each of the four songs takes the v...

Nights in armor is a suite for a cappella chorus which reflects on the themes of Arthurian legend as brought to verse by Alfred, Lord Tennyson in Idylls of the King. Each of the four songs takes the v...

Nights in armor is a suite for a cappella chorus which reflects on the themes of Arthurian legend as brought to verse by Alfred, Lord Tennyson in Idylls of the King. Each of the four songs takes the v...

In 1955, while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman, Leonard Bernstein composed French and Latin choruses as in...

In 1955, while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman, Leonard Bernstein composed French and Latin choruses as in...

This piece has been set up to be easily learned, yet to produce a rich and exotic sound, so that even an inexperienced choir can have the pleasure of creating a Medieval Christmas fantasy. Published a...

mit Klavierbegleitung zu Probenzwecken

Jabula Jesu is not hard to learn, and yet creates very rich textures that allow for great variety in shaping and phrasing. The piece can be performed completely unaccompanied, but two or more percussi...

In 1955, while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman, Leonard Bernstein composed French and Latin choruses as in...

Experience a deeply moving sacred choral piece with the "Missa Lauda Sion" for SAB choir a cappella, published by B-Note Musikverlag. This mass captivates with its rich harmonic depth and masterfully...

O Herr, mache mich zum Werkzeug deines Friedens' (O lord, make me an instrument of your peace), Op. 37/1, is a motet by Kurt Hessenberg for a six-part mixed choir a cappella, composed in 1946. It is a...

gemischter Chor (SMezATTBB) mit Tenor-Solo

Puisque tout passe, un des six chants pour chœur mixte de 1939, est l'une des œuvres plus naturelles et spontanées de toutes les œuvres a cappella d'Hindemith. Elle est encadrée d'autres poèmes de Rai...