Partitions de Chœur et Voix pour tous les ensembles

This original composition combines several traditional proverbs (Good things come to those who wait, What goes up..., Where there's a will...), a quirky melody, a laid-back swing feel, a whispering se...

Down the Silver Road is a comforting and uplifting setting of the poem To F.W. by Edith Franklin Wyatt, which describes the joy of growing old with a companion.

This powerful motet sets a reflective text by Augustine of Hippo. Connoisseurs of Jackson's music will recognise the hallmarks of his highly accessible style: inventive harmony that is largely diatoni...

In a style influenced by Vaughan Williams and Finzi, this work evokes a reflective and sometimes other-worldly atmosphere. The seven movements may be sung as individual pieces. The text is in Latin fo...

Samba Mass is a joyous and colourful setting of the Latin Missa brevis. The stylistic piano part in the vocal score can be played as written or serve as a guide, and this optional guitar, bass, and dr...

This gentle and enchanting carol, set to a poem by Elizabeth Jennings, began life as the fourth movement of Chilcott's Christmas cantata, 'And Peace on Earth'. Chilcott's sublime melodic writing and s...

For SATB choir and congregation, accompanied by brass quintet, with optional timpani and organ.

A version arranged by Brubaker for brass is available for sale.

This enchanting setting of a text by Bishop Timothy Dudley-Smith is a welcome addition to the carol repertoire. With its endearing yet straightforward melody, it has broad appeal and is suitable for c...

This song comes from the Cantata In Windsor Forest, which is based on music from the opera Sir John in Love. It sets a text from The Book of Airs and is celebratory in atmosphere.

Setting Joseph Addison's text, Jackson explores the use of vivid imagery the poem provides through this dramatic medium. Rather than using the full forces of choir, brass and organ throughout, the pie...

The opening verse for solo soprano gives way to an enchanting and imaginative setting of the beloved carol In the bleak mid-winter. Offprinted from Carols for Choirs 6.

This consists of two pieces, played in an order the performer chooses. The number five, closely related to the nature of the zortziko, a Basque dance in 5/8, has been applied to several musical parame...

Refuge sets a powerful Sara Teasdale poem that perfectly captures the healing power of singing: 'For with my singing I can make a refuge for my spirit’s sake'. Quartel's musical structure complements...

An exploration of friendship's many facets. The work is in two linked sections; the first exuberant and rhythmically dynamic, the second more lyrical and reflective.

Commissioned and first performed by the choir of Liverpool Cathedral, this anthem is ideal for use during the Feast of Saints Peter and Paul. Combining a sense of joy with moments of reflection, this...

The optional opening section, for which there is a graphic score, is spoken to texts by Henry Wadsworth Longfellow and other esteemed poets and authors. The four sung movements which follow are conven...

This energetic and joyful carol features contrasting dynamics, buoyant rhythms, and changing metres. Offprinted from Carols for Choirs 6.

Andrew Carter's setting matches in its powerful simplicity the text attributed to the French Quaker missionary, Stephen Grellet: 'I expect to pass through this world but once; any good thing therefore...

Setting the George Herbert poem 'Whitsunday', this lilting, gentle anthem is particularly useful for Whit Sunday services. Syncopations and duplets provide rhythmic interest, with memorable melodies,...

This tender movement from the Advent cantata O Come, Emmanuel is in memory of Bullard's teacher, Herbert Howells, with text translated from a traditional German carol Es ist ein Ros entsprugen. Suitab...

This sacred a cappella work is a joyous anthem, written for the Papal visit to Westminster Abbey in September 2010.

Commissioned by King's College, Cambridge for the 2009 Festival of Nine Lessons and Carols, this beautiful carol sets a well-loved text by G. K. Chesterton. It would make an ideal introduction to Jack...

This suite from 1925 is one of Vaughan Williams' most enigmatic pieces. The chorus never articulates a single word, and instead serves as a section of the orchestra, creating an elegant vocal texture...