Partitions de Chœur et Voix pour tous les ensembles

Written for SATB chorus, soloists, TB semichorus and organ.

Written for SATB choir and organs. Words from the Mass and The Diary Of Anne Frank.

Ex Maria Virgine was commissioned by Timothy Brown and the Choir of Clare College, Cambridge, with the generous support of Paul Lee. The first performance was given on 12th December 2008 in the Chape...

Ex Maria Virgine was commissioned by Timothy Brown and the Choir of Clare College, Cambridge, with the generous support of Paul Lee. The first performance was given on 12th December 2008 in the Chape...

For SATB chorus with Organ accompaniment (with optional congregation, Brass and Timpani available separately)

For unaccompanied SSATTBB and echo choir SSAA. This work was written in memory of my brother, Roger. The five short phrases for choir and echo-choir, at once noble and solemn, tender and mystical, sho...

Arranged for > 4 Sopranos (including solo Soprano) > 2 Mezzo Sopranos > 2 Counter Tenors > 4 Tenors > 2 Baritones > 2 Basses.

Commissioned by Elizabeth Chatwin in memory of her husband Bruce Chatwin. First performed by the National Chamber Choir of Ireland, conducted by Paul Hillier in Dublin on 22 July 2010.

For SATB chorus and Organ, commissioned for the Choir Schools' Association conference 2008, originally for upper voices.

This commission was supported by the Ministry of Education and Culture in Iceland and is dedicated to Hilmar Örn Agnarsson and The South Iceland Chamber Choir. The Three Shakespeare Sonnets was one of...

For SATB choir with Piano accompaniment. Commissioned by Distinguished Concept Artists International New York as part of the DCINY Premiere Project. By Eric Whitacre with text from E. E. Cummings.

For SATB choir with Piano accompaniment. Commissioned by Distinguished Concept Artists International New York as part of the DCINY Premiere Project. By Eric Whitacre with text from E. E. Cummings.

White key clusters in the piano create the rhythmic framework for the playful vocals sung in unison declamation or that ricochet one part to another in this E. E. Cummings setting vividly portraying a...

This languorous setting of the E. E. Cummings text features a chaconne-like left hand pattern in the piano along with right hand cluster chords and legato vocal phrases in octaves to create a meditati...

For SSSAAATTBBB (with soli) and Organ. Dedicated to Her Majesty The Queen, in the year of her Diamond Jubilee. Commissioned by the Dean and Chapter of St Paul's Cathedral in celebration of the terce...

From the Pisan Cantos by Hugh Wood was commissioned by BBC Radio 3, and first performed at the Cheltenham Festival by the BBC Singers conducted by David Hill, on 5th July 2012. For 24 mixed voices

A setting of Tolstoy's Creed by John Tavener for SSAATTBB chorus and organ. First performance on 21st April 2013 in Washington National Cathedral, by the City Choir of Washington conducted by Robert...

Monument for Beethoven, by John Tavener was commissioned by the Southbank Centre. Monument for Beethoven was premiered on 18th March 2014 at the Royal Festival Hall, London.

Eric Whitacre's Goodnight Moon for SATB and Piano. Duration: 5 minutes

John Tavener's O Where, Tell Me Where? was commissioned by The Bach Choir. It was first performed on 10th April 2014 at the Oriental Arts Centre, Shanghai, China by The Bach Choir conducted by David H...

Missa Wellensis, composed by John Tavener for unaccompanied double choir (SSAATTBB/SSAATTBB), was first performed on Sunday 18th May 2014 during the festival new music wells 74-14, by Wells Cathedral...

The Wounds was expertly composed by British composer James Whitbourn, for SATB chorus, Speaker, Violin, Cello, and Organ. This selection includes the full Vocal score. James international reputation a...

Were You There? was expertly composed by James Whitbourn for SATB Chorus and Organ. The piece was written for Stephen Cleobury and the Choir of King's College, Cambridge. British composer and conducto...