Partitions de Chœur et Voix pour tous les ensembles

This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies, exquisitely tempered with modal effects.

A medieval English carol for solo baritone and unaccompanied ATBarB. The setting is full of gentle hemiola and canonic effects, and makes much use of parallel sixths and thirds.

This is an appropriately aching setting of Sir Philip Sidney's poem of unending desire and longing. There are gorgeous chromatics and enharmonics and a masterful use of a triplet pattern which becomes...

Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross-relations, and vivid word-painting. Th...

Music, when soft voices die combines aspects of nineteenth-century English pastoral style with some of the tonal adventurousness of Vaughan Williams's Shakespeare settings. This is an exceptionally be...

This beautiful arrangement of the 17th-century lullaby features subtle jazz inflections and artful imitation. The text seeks to create a calm and comforting atmosphere for sleep, which Parry emulates...

Chilcott sets this beautiful new text by Charles Bennett in a lush style. The vivid imagery is brought to life through the composer's warm harmonic palette. The Pear Tree Carol is a contemplative cele...

Inspired by Rachmaninoff's All-Night Vigil, Vespers is a 12-movement English-language work in the Eastern Orthodox tradition. Suited to concert and liturgical settings, it draws from a variety of Orth...

This setting of verses from John 7 imaginatively depicts the 'rivers of living water' and the contrasting 'parched land' in episodic form, providing musical structure, variety, colour, and atmosphere....

In this sensitive choral arrangement of 'Nimrod' from Elgar's Enigma Variations, Michael Higgins sets the Eucharistic hymn 'O salutaris Hostia', written by St Thomas Aquinas for the Feast of Corpus Ch...

This is an innovative, striking setting of the Magnificat text that is well suited to both liturgical and concert performance. The work celebrates the strength, character, and intelligence of teenage...

Commissioned by King's College, Cambridge, for the 2021 Festival of Nine Lessons and Carols, Cecilia McDowall's setting of this well-known fifteenth-century macaronic text is expressive and ethereal....

A reflection on the plainchant 'Assumpta est Maria' (originally for the Feast of the Assumption of the Blessed Virgin Mary), this setting tenders a festal feel through its dance-like metre and expansi...

By The Way, I Love You is a fun a cappella number that sets words by Garth Bardsley in a big band style. Swing and rhythmic groove is vital to the performance, with the catchy melody held first by the...

The three movements of A Winter Breviary are entitled: 'We look for you', 'The year's midnight', and 'The unexpected early hour'. The movements are each based on an Indian classical Raag: Raag Hamsadh...

Bob Chilcott has composed O Lord, make thy servant Elizabeth our Queen, a reflection on the 16th-century piece of the same title by William Byrd, for the occasion of Her Majesty The Queen's Platinum J...

This imaginative setting of the well-loved text O little town of Bethleham, by Phillips Brooks, displays McGlade's characteristic rich and expressive harmonies, with their jazz inflections. Opening wi...

The shades of Finzi and Vaughan Williams are strongly present in these three delightful unaccompanied choral settings, and yet the style and execution are wholly Rutter's own. O mistress mine is a jau...

Characteristically sung on Christmas Day, this Catholic chant depicts mystery and wonder at the birth of Jesus, as witnessed by the animals. The second half of the text relates to words spoken by Eliz...

The O nata lux text is taken from a 10th-century anonymous hymn that uses the concept of light to symbolise hope, a particularly pertinent theme for Advent. Throughout this setting the sopranos intert...

Setting original words by the artist Marc Bratcher, this tender and evocative carol for unaccompanied SATB choir is suitable for performance at Christmas or Epiphany. The work opens with a gently flow...

A reflection on the plainchant antiphon 'Pulchra es et decora', this hauntingly beautiful piece was commissioned by ORA100 for Suzi Digby and ORA Singers. The original antiphon has been transcribed an...

On the Air (Dear Vaccine) discusses the optimism for a post-COVID world and, particularly, the desire to sing together again. For the text, poet Seán Street drew inspiration from 'Dear Vaccine', which...

This short Missa brevis setting is perfect for choirs looking to bring a fresh soundworld to their worship. Each movement is distinct in character, but with an overall cohesiveness of harmonic languag...

Let all the world in ev'ry corner sing is an upbeat setting of a hymn text by seventeenth-century English poet George Herbert. Chilcott uses irregular metres, syncopation, and dancing melodic shapes t...