Partitions de Chœur et Voix pour tous les ensembles

There is an unrelenting confidence in this anthem which affirms the faithfulness of God in the life of the believer. This joyful declaration of hope is set to a vigorous musical concept, with a rhythm...

Lush harmonies and smooth voice leading permeates this arrangement of the legendary song, Georgia on My Mind. The state of Georgia officially designated Ray Charles' version as the official state song...

Two prayers of St. Edmund, beautifully set for 'a cappella' choir. Technically, this piece is well within the grasp of most choirs and would make a memorable concert work, anthem or introit.

Predominantly hushed and serene, Plainsongs for Peace and Light proved to be Jonathan Harvey's final work. It sees Harvey re-examining the very fundamentals of his craft - superimposing lines of plain...

Morten Lauridsen's setting of Chanson Eloignee arranged for unaccompanied SATB choir. Lauridsen was commissioned by the Pacific Chorale (Directed by John Alexander), to write an a capella work for the...

Ever since its premiere in 1994, Thomas Adès' first string quartet, Arcadiana has been captivating audiences with its evocations of vanishing, vanished, and imaginary idylls. Of all the work's movemen...

Most recently recorded by Clay Aiken, this contemporary carol has continued to grow in popularity. Equally suited for use in school or church, this well-crafted a cappella arrangement is sure to be th...

In celebration of the 250th anniversary of Robert Burns' birth in 1759, here is the beloved Scottish air as arranged for the King's Singers by founding member Simon Carrington. Rich harmonies unfold i...

Hungarian composer Gyorgy Orban arranged this Shakespeare text for a cappella mixed voices, works well with high school or adult choirs.

Originally scored for treble voices (HMC2065), this mixed chorus voicing is just as successful. Try the piece with other 'global' music on your spring concert or on any festive occasion in the church.

Combining two spirituals with original music and employing two soloists, this arrangement from first time contributor Carlos Simon is amazing. Series editor Eugene Rogers wrote and said get this piece...

A simple setting of this popular medieval Advent carol which has great originality and impact. The style is controlled, almost austere, and the effect is hypnotic. This is an unsettling but poignant p...

This short sacred work for unaccompanied mixed choir is a highly atmospheric setting of the poet Henry Vaughan's mystical and enigmatic poem of the same name. Written for the choir of St Peter's Colle...

In this innovative arrangement Stanley M. Hoffman takes Henry Purcell's most popular solo aria, the 'Lament' from his opera Dido and Aeneas, and reimagines it as a work for unaccompanied soprano solo...

Setting a specially written text by Charles Bennett, this gentle lullaby compels us to follow the nativity's animals and angels, and like them create our own Christmas scene wherever we are. Chilcott'...

This piece sets a joyful text celebrating the beauty found all around us. Characterized by tight harmonies and a dynamic hand drum line, the buoyant 7/8 metre drives the piece forward. Lush harmonies...

Setting two verses of the Irish traditional carol, Wilberg's version opens simply with unaccompanied unison men, before the piano creeps in gently. The carol melody's haunting, modal qualities are com...

This Christmas miniature captures the intimacy and atmosphere of the well-loved 16th-century text. Through homophonic textures, word-painting, the use of extended harmonies, and a lilting rhythm, the...

Pete Churchill's thrilling arrangement of this traditional Cornish carol has a gentle South African feel and features 'scat' singing and chromatic shifts in harmony. The traditional melody in 6/8 time...

Tarney's setting of this traditional Scottish text offers catchy melodies and folk-inspired harmonies, driven by a rhythmic piano accompaniment. The ballad is framed by a repeating, haunting, and ethe...

Adapted from Pearsall's own eight-part madrigal 'Lay a garland' (also available from OUP), 'Tu es Petrus' is replete with fine polyphonic writing and rich, expressive sonorities, reflecting his enduri...

Following a collaboration with Katie Melua on her 2016 album 'In Winter', Bob Chilcott has made a choral arrangement of this traditional Ukrainian carol, first introduced to the English-speaking world...

McDowall's setting of Isaac Watts' Cradle Hymn is beautifully tender, coloured by its rich harmonies, suspensions, and chromatic notes. The melodies are complimented by sustained 'oo's and 'ah's and r...

McGlade's setting of 'The Call' by George Herbert is simple but effective, reflecting the directness of the original poem. The three-bar phrases create a feeling of expectancy throughout the verses, a...

This is a beautiful setting of words from Act 3 Scene 2 of The Tempest. The opening soprano and tenor melody is based on a dreamlike, oscillating two-note cell which threads throughout the piece, broa...