Partitions de Chœur et Voix pour tous les ensembles

This beautiful piece by Tobin Stokes is loosely based on the five stages of grieving by Elisabeth Kubler-Ross. The first section of the music, set for 6-part treble choir on the text Hear my prayer, O...

This beautiful piece by Tobin Stokes is loosely based on the five stages of grieving by Elisabeth Kubler-Ross. The first section of the music, set for 6-part treble choir on the text Hear my prayer, O...

The green movement seems so contemporary, it comes as a shock to find the words of this music were written by Hildegard von Bingen of the 12th century. Kirke Mechem has created a round that cleverly e...

The green movement seems so contemporary, it comes as a shock to find the words of this music were written by Hildegard von Bingen of the 12th century. Kirke Mechem has created a round that cleverly e...

With a text by the composer, this is a delightful kaleidoscope of musical snippets that highlight the joys of choral singing! Melody, harmony, counterpoint, we can sing ANYTHING! Ta-dah!

With a text by the composer, this is a delightful kaleidoscope of musical snippets that highlight the joys of choral singing! Melody, harmony, counterpoint, we can sing ANYTHING! Ta-dah!

This buoyant madrigal-like setting of the Thomas Hood text offers a wonderful opportunity for choirs to practice light and articulate singing. There is wonderful contrast between the lively passages a...

This buoyant madrigal-like setting of the Thomas Hood text offers a wonderful opportunity for choirs to practice light and articulate singing. There is wonderful contrast between the lively passages a...

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Eine swingende dreiteilige Jazzkomposition.

For SSA (with divisions) unaccompanied - This piece was composed in honour of the centenary of Marconi's first trans-oceanic wireless signal. The theme of the work, sound waves, is evoked through over...

Setting a Native American text, The Song of the Stars is a bright and rhythmic piece scored for double upper-voice choir. Featuring rhythmic ostinatos, imitative effects, and rich harmonies, this is a...

Originally written for SATB, this hymn to the 'Queen of the Heavens' is a glorious work, replete with dramatic changes of mood and texture. The majestic chords of the opening bars quickly give way to...

Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs, the captivating melody and warm harmonies perfectly complement the uplifting them...

Off-printed from the complete William Walton Edition, this is one of three versions (the others are for SATB unaccompanied) on a text by Phineas Fletcher - 'Drop, drop slow tears'. The poignant chroma...

Cecilia McDowall's fresh and appealing style is amply displayed in this cycle, subtitled 'Three Shakespeare Songs'. In total, six Shakespeare texts are used, and McDowall's response encompasses a flee...

For SSAA double choir unaccompanied.

This compelling a cappella setting of Henry Van Dyke's poem has a continual sense of motion, created by the 7/8 metre and scat singing style that is passed around the parts. A powerful and uplifting a...

This a cappella setting of evocative words by E. Pauline Johnson is immediately appealing, with its playful, swinging syncopations and dancing scat accompaniment.

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...

Setting the modernized words of an Anglo-Saxon metrical charm, this thrilling piece is unusual, dramatic, and beguiling. Featuring a whispered list of potion ingredients for the intro and outro, it al...

Oliver Tarney has re-worked his popular unaccompanied minature The Waiting Sky for upper voices. While it would make a beautiful addition to a concert programme at other times of the year, the setting...

Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this carol for upper voices. The carol may be sung unaccompanied, though for added sparkle there is an optional part for handb...

Sing, my Child sets a joyful text celebrating the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line, the buoyant 7/8 metre of the opening driv...