Partitions de Chœur et Voix pour tous les ensembles

Set for unaccompanied upper voices, this piece by Carol Barratt features an updated English language version of the sacred text. It was commissioned by Gordon Pullin and the Madrigal Choir of Notting...

Voice part for these twenty charming and inventive carols. The harmonies in the piano accompaniment complement the diatonic melodies. Full Score and Instrumental parts on hire. Key Stage 3, 4

The inspiring journey of the three kings to Bethlehem is beautifully told through words and music in Peter Maxwell Davies' wonderful setting of George Mackay Brown's text. The piece is arranged for SS...

A setting of a poem by Andrew Motion for Upper Voices A Cappella. The work was first performed in November 2002.

An arrangement for upper voices of one of the songs from The Little Prince, a fabulous, moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is b...

An arrangement of one of the songs from The Little Prince, a fabulous, moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on French ph...

An arrangement of one of the songs from The Little Prince, a fabulous, moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on French ph...

An arrangement of one of the songs from The Little Prince, a fabulous, moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on French ph...

An arrangement of one of the songs from The Little Prince, a fabulous, moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on French ph...

This is a wordless work for treble solo and SAA choir by Michael Nyman.

Written for upper voices (SSS OR SSA) chorus and organ with optional chorus of trebles. Text from Psalm 66.

Gray's Pier was commissioned by Andreas Klatt for Farnham Youth Choir. From Following a Lark by George Mackay Brown. For unaccompanied choir SSA. Piano accompaniment on the score for rehearsal purpose...

This work was commissioned by DOM in association with Canty, who gave the first performance in York Minster on 23rd October 2008. This brief motet for four voices and renaissance bray harp was written...

Commissioned by Richard Gooding and Central Newcastle High School Festival Choir, who gave its first performance in December 2008.

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

Lullaby was written in January 2006 for A Small World, an anthology of fifty new carols to be published in August 2006 by Gonzaga Music.

Cambridge University's 800th anniversary. First performed on 21st November 2009 by Caius Choir, under the direction of Geoffrey Webber. For choir of female voices and Trumpet.

O Radix Jesse by Polish composer PaweÅ Åukaszewski, is arranged here for unaccompanied SSAA Chorus with divisions. PaweÅ Åukaszewski is part of a younger generation of Polish composers who specialise...

O that we were there! is a text taken from the Christian hymn In Dulci Jubilo. It expresses a longing to be present at the Incarnation of Christ, but it also conveys a longing to be out of the world o...

The Twenty-Eight Times is a Vocal piece composed by British composer and conductor James Whitbourn. The Twenty-Eight Times was commissioned by the United Westminster Schools and Grey Coat Hospital Fou...

Through the years this has been a hit for Roy Orbison and Linda Ronstadt. This SSA arrangement is created to capture the style identified with the Lida Ronstadt version.