Breitkopf & Härtel Urtext
In view of Mendelssohn's strong revising obsession, the quintets pose some challenges to the editor: in the A-major quintet, after he replaced an inner movement and switched the order of the movements...
In view of Mendelssohn's strong revising obsession, the quintets pose some challenges to the editor: in the A-major quintet, after he replaced an inner movement and switched the order of the movements...
- Quintet à Cordes (2 Violons, 2 Altos et Violoncelle)
- Set de parties (Urtext)
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Some eighteen years elapsed between Raff’s first counted String Quartet op. 77 and his Quartets Nos. 6–8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet com...
Some eighteen years elapsed between Raff’s first counted String Quartet op. 77 and his Quartets Nos. 6–8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet com...
- Quatuor à cordes (2 Violons, Alto et Violoncelle)
- Set de parties (Urtext)
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Some eighteen years elapsed between Raff’s first counted String Quartet op. 77 and his Quartets Nos. 6–8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet com...
Some eighteen years elapsed between Raff’s first counted String Quartet op. 77 and his Quartets Nos. 6–8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet com...
- Quatuor à cordes (2 Violons, Alto et Violoncelle)
- Set de parties (Urtext)
- Breitkopf & Härtel
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Some eighteen years elapsed between Raff’s first counted String Quartet op. 77 and his Quartets Nos. 6–8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet com...
Some eighteen years elapsed between Raff’s first counted String Quartet op. 77 and his Quartets Nos. 6–8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet com...
- Quatuor à cordes (2 Violons, Alto et Violoncelle)
- Set de parties (Urtext)
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Une découverte sensationnelle en révisant : BWV 1067 dans la version en la mineur pour violon
Une découverte sensationnelle en révisant : BWV 1067 dans la version en la mineur pour violon
- Flûte traversière, Orchestre à Cordes et Basse continue
- Partition (Urtext)
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Ces Impromptus sont des arrangements des impromptus pour piano de l'op. 5. La date exacte de l'arrangement des impromptus pour piano pour orchestre à cordes n'est pas connue à ce jour, mais elle a eu...
Ces Impromptus sont des arrangements des impromptus pour piano de l'op. 5. La date exacte de l'arrangement des impromptus pour piano pour orchestre à cordes n'est pas connue à ce jour, mais elle a eu...
- Orchestre à Cordes
- Partition (Urtext)
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Sibelius a composé cette courte romance, d’une durée de cinq minutes seulement, en do majeur, op. 42, en 1903 ; l’œuvre a été créée à Turku en mars 1904. Sibelius a par la suite remplacé le titre init...
Sibelius a composé cette courte romance, d’une durée de cinq minutes seulement, en do majeur, op. 42, en 1903 ; l’œuvre a été créée à Turku en mars 1904. Sibelius a par la suite remplacé le titre init...
- Orchestre à Cordes
- Partition (Urtext)
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Exactly 300 years after Bach completed his unique cosmos of the Sei Solo á Violino senza Basso accompagnato, Kolja Lessing is presenting a collection, rich in discovery, of also 6 solo violin works in...
Exactly 300 years after Bach completed his unique cosmos of the Sei Solo á Violino senza Basso accompagnato, Kolja Lessing is presenting a collection, rich in discovery, of also 6 solo violin works in...
- Violon
- Partition (Urtext)
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Felix Mendelssohn Bartholdy a enrichi le répertoire pour violon d’une des œuvres les plus importantes de la littérature musicale du XIXe siècle, son Concerto pour violon en mi mineur, op. 64, MWV O 14...
Felix Mendelssohn Bartholdy a enrichi le répertoire pour violon d’une des œuvres les plus importantes de la littérature musicale du XIXe siècle, son Concerto pour violon en mi mineur, op. 64, MWV O 14...
- Violon et Piano
- Partition (Urtext)
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édition de sources pures (pas de mélange de différentes traditions)avec des textes sur les sources, les orgues, la chronologie, l'utilisation des tonalités, la classification liturgique ainsi que des...
édition de sources pures (pas de mélange de différentes traditions)avec des textes sur les sources, les orgues, la chronologie, l'utilisation des tonalités, la classification liturgique ainsi que des...
- Orgue
- Partition (Urtext)
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Hasslers Liedsammlung 'Lustgarten Neuer Teutscher Gesäng' (1601) war so beliebt, dass sie um 1640 vollständig für Tasteninstrumente eingerichtet wurde. Martin Böcker hat für den Erstdruck 25 wirkungsv...
Hasslers Liedsammlung 'Lustgarten Neuer Teutscher Gesäng' (1601) war so beliebt, dass sie um 1640 vollständig für Tasteninstrumente eingerichtet wurde. Martin Böcker hat für den Erstdruck 25 wirkungsv...
- Orgue
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In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
- Orgue
- Partition (Urtext)
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In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
- Orgue
- Partition (Urtext)
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Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
- Orgue
- Partition (Urtext)
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Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
- Orgue
- Partition (Urtext)
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In this volume with the Toccatas (and Fugues) as well as individual works the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this b...
In this volume with the Toccatas (and Fugues) as well as individual works the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this b...
- Orgue
- Partition (Urtext)
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Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements b...
Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements b...
- Orgue
- Partition (Urtext)
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Volume 6 contains the three collections that Bach himself took to the printer: the Dritter Teil der Clavier-Übung was published in 1739; the Sechs Choräle von verschiedener Art ('Schübler-Choräle') an...
Volume 6 contains the three collections that Bach himself took to the printer: the Dritter Teil der Clavier-Übung was published in 1739; the Sechs Choräle von verschiedener Art ('Schübler-Choräle') an...
- Orgue
- Partition (Urtext)
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The basic repertoire of the 45 choral preludes of the Orgelbüchlein is hard to get by for any organist. Edited by Sven Hiemke, the volume offers the best possible prerequisites for everyday use. The m...
The basic repertoire of the 45 choral preludes of the Orgelbüchlein is hard to get by for any organist. Edited by Sven Hiemke, the volume offers the best possible prerequisites for everyday use. The m...
- Orgue
- Partition (Urtext)
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Volume 8 presents the work group called the 'Leipziger Choräle.' Next to the late versions compiled and entered by Bach himself in the manuscript 'P 271', all of the early versions with their sometime...
Volume 8 presents the work group called the 'Leipziger Choräle.' Next to the late versions compiled and entered by Bach himself in the manuscript 'P 271', all of the early versions with their sometime...
- Orgue
- Partition (Urtext)
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The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
- Orgue
- Partition (Urtext)
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The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
- Orgue
- Partition (Urtext)
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Wihin the extensive œuvre for organ left behind by Camillo Schumann, his 6 Organ Sonatas form an independent corpus. Although living and composing at a time when the music of Webern and Schönberg had...
Wihin the extensive œuvre for organ left behind by Camillo Schumann, his 6 Organ Sonatas form an independent corpus. Although living and composing at a time when the music of Webern and Schönberg had...
- Orgue
- Partition (Urtext)
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- Orgue
- Partition (Urtext)
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This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free...
This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free...
- Orgue
- Partition (Urtext)
- Breitkopf & Härtel
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