Big Band partitions à télécharger

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

As performed by Gordon Goodwin's Big Phat Band - As recorded by Gordon Goodwin's Big Phat Band on the CD That's How We Roll, but minus the woodwind doubles, saxes only. Arranged for flexibility, it's...

As performed by Gordon Goodwin's Big Phat Band - As recorded by Gordon Goodwin's Big Phat Band on the CD That's How We Roll, but minus the woodwind doubles, saxes only. Arranged for flexibility, it's...

This chart is a creative musical voyage! With a Metheny-flavor, the work begins with bari sax and band vocals trading back and forth. Then the swing groove begins at 184 BPM with a soaring ensemble fe...

This chart is a creative musical voyage! With a Metheny-flavor, the work begins with bari sax and band vocals trading back and forth. Then the swing groove begins at 184 BPM with a soaring ensemble fe...

An easy-going chart, with a relaxed straight-eighth groove at about 116 BPM, 'Smiles and Smiles to Go' features an alto solo with a suggested written solo, trumpet 1 range up to G on top of the staff,...

An easy-going chart, with a relaxed straight-eighth groove at about 116 BPM, 'Smiles and Smiles to Go' features an alto solo with a suggested written solo, trumpet 1 range up to G on top of the staff,...

Featuring a contemporary sounding groove utilizing even 8th notes, this familiar standard is given a unique treatment in the skilled hands of Mike Tomaro. A trio of tenor sax, trombone and guitar take...

Here is a creative new take on the Duke Ellington favorite, set in a New Orleans 'street beat' style. A piano introduction sets up the groove, then a small group takes the initial statement of the the...

Le blues mineur hypnotique de Wayne Shorter (enregistré par Miles Davis) est devenu un véritable classique du jazz et un ouvrage indispensable pour le musicien de jazz. Arrangé ici en utilisant un gro...

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This arrangement calls for a very lazy feel. Keep saxes quietbehind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce so...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...

This arrangement combines two styles -- straight 8ths and a jazz 4/4 feel.

The attitude of this chart is similar to a television commercial -- play with steady rhythm and good balance, but not much dynamic range. The drummer must play with a strong attitude and use his/her p...

Paying tribute to the wonderful music created by Pat Metheny and Lyle Mays in the 1980's and 90's (notice the wordplay in the title), this driving original for medium advanced bands features an energe...

This modern straight-eighth feel chart for advancing groups will showcase the ability of your band to sustain a strong sense of time throughout. The lengthy solo section vamps on two chords for an imp...

Down-home and bluesy, slow and greasy! This outstanding chart blends a New Orleans-style slow swing and contemporary harmonies. The best of both worlds comes alive within the creative mind of arranger...

Down-home and bluesy, slow and greasy! This outstanding chart blends a New Orleans-style slow swing and contemporary harmonies. The best of both worlds comes alive within the creative mind of arranger...

New in the Jazz Expressions Series, When the Saints Go Marching In is well-known as a jazz classic. The focus in this chart is on melodic improvisation and the second-line New Orleans style at the med...

New in the Jazz Expressions Series, When the Saints Go Marching In is well-known as a jazz classic. The focus in this chart is on melodic improvisation and the second-line New Orleans style at the med...

We welcome Kris Berg to the Kendor family of writers with this fun and energetic chart written in a New Orleans 2nd line groove over a C7 blues. After the band trades licks with the drummer, the chart...

With more than a nod to the original recording by Steely Dan, Mike takes this tune to new heights in his funky and stylized version. Featuring a tenor and trombone duet at the top, this chart is also...

From Stevie Wonder's acclaimed Innervisions album from 1973, this infectious funk tune has been covered by a variety of artists over the years and found its way into several movies. With a distinctive...