Arrangements originaux big band

Recorded in 1998 by the Monday Night Big Band on their Thanks To Thad album, this is Part 1 of Thad's larger Return Journey Suite. Solo requirements are limited to an optional repeat that may (or may...

Written during Thad's later years in Denmark after he and Mel Lewis parted ways, this bright, double-time tune designates piano as the main soloist, but includes an optional repeat of the solo chorus...

Written during Thad's later years in Denmark after he and Mel Lewis parted ways, this bright, double-time tune designates piano as the main soloist, but includes an optional repeat of the solo chorus...

Transcrit à partir de l'album Liberty Records de 1961 de Julie London "Whatever Julie Wants", ce morceau est très cool et passe sans effort du swing à la béguine. Dans l'ensemble, le morceau est décon...

Here is another marvelous collaboration of Pat Metheny/Lyle Mays music as arranged for big band by Bob Curnow. The original recording by the Pat Metheny Group is on the CD Speaking of Now. The piece s...

As recorded by the Stan Kenton Orchestra on 'Live at Brigham Young University', this is the thrilling Latin Stan Kenton sound like that of 'Malaga' and 'Malaguena' that is sure to dazzle any crowd. So...

Although Sierra Music published the original version of this cool chart in the past, Bob Curnow decided to edit it and make the Stan Kenton Orchestra piece a lot easier and fun to play. The instrument...

This is Hooper at his best ...... musical, clever and always very interesting. An exciting and different piece with a latin feel. Features alto sax. As recorded on the Look What They've Done LP. 5-4-4...

A really delightful samba! 339 measures of pure delight! Features soprano sax and flugelhorn, as well as drums and bass. This is one your band will want to play and play and play..... the samba we've...

This is one happy chart! It starts with the trombones laying down a nifty bass line, and then a great groove with a calypso pattern. Trumpets take the melody, and things cook on from there. Solos for...

As recorded by Count Basie on the Roulette LP (Vogue CD) The Legend, this is an up-tempo latin and swing chart. Solo space is provided for tenor sax. trumpet and drums. There is an open solo for your...

Fred wrote this exceptional latin chart to feature tenor saxophone on a written and improvised solo. Once again, the ranges are all very reasonable, and the chart is fresh, interesting and very exciti...

Here is another fantastic trumpet feature for a fantastic trumpet player. A great ballad standard in a gorgeous setting! There are two solo parts provided, Maynard's version and one for mere mortals....

The publication of this piece is dedicated to the memory of Manny Albam, the composer. Bob Curnow took the original orchestration (as recorded by Stan Kenton's Innovations Orchestra) and scored it for...

This is a new edition (Finale computer notation) of the original arrangement, with no editing. Instrumentation requires 1 alto, 2 tenors, baritone and bass saxophone, 5 trumpets, 4 horns in F, 4 tromb...

Saxophonsatz: 1 Alt-, 2 Tenor-, 2 Bariton-Saxophone

Movement I (of 7) of the Cuban Fire Suite. Finally ... the definitive version of this magnificent music. The first of seven movements published by Sierra Music. The original score of Richards' was the...

Kenton had many hits over the years, and this very creative arrangement by Pete was one of them. A great Latin setting with that unforgettable trombone lick in the shout chorus. There is room at the e...

Johnny Richards at his best! A very playable chart without a lot of range concerns for brass. A bass trombone feature from beginning to end, in a Latin and a Swing feel. This chart is recorded on the...

As recorded by the Stan Kenton Orchestra on Live at Brigham Young University, this may well be Willie's best chart done for Stan. Maiden uses a latin feel, the lush sound of the trombones and saxophon...

As recorded by the Stan Kenton Orchestra on 'Back To Balboa' (Capitol)

As recorded on Tonight Show Band, Vol. 2 (Amherst), this chart won a Grammy for best big band arrangement. Holman took this great standard, put it in 3-4, and wrote scintillating counter lines that we...

If you know 'The First Circle' or 'Minuano,' then you'll have some sense of what this incredible composition is all about. The chart is almost 700 measures long, and it contains all of the elements th...

One of the great all time Gershwin standards in a superb arrangement. The recorded version is in D-E. This chart is in Db-Eb to avoid awkward transpositions.

Transcrit et adapté par Jon Harpin à partir de la partition originale de Nelson Riddle, ce morceau est entièrement vocal, sans chorus instrumental. Les lignes d'accompagnement de l'orchestre sont soli...