Carl Maria von Weber
Melodien aus der Oper 'Der Freischütz'
Carl Maria von Weber
Melodien aus der Oper 'Der Freischütz'
- Formation Orchestre
- Édition Partition
- Compositeur Carl Maria von Weber
- Éditeur Alfred Pfortner
- Maison d'Édition Siebenhüner Musikverlag
- N ° de commande SIEB27035
TVA incluse,
Hors frais de port
sera expédié dans 3-6 jours ouvrables
Description:
Notes about the Editions for School and Amateur Orchestra:
> Most of the pieces have been shortened and adapted to suit young orchestras.
> Full score supplied to most arrangements.
> All parts are provided with bar numbers to make rehearsals easier.
> Metronome suggestions are merely guidelines.
> All pieces are also playable in smaller groups. (such as violin and piano').
> If French horns and violas are available the pieces do not need a piano accompaniment.
> String Parts are shown with bowings and partially with fingerrings.
> The parts for 1st Violin extend as far as the third position. Only in a few individual cases they range as far as 5th position and in such cases these notes are always given in the lower octave, too
> The 2nd Violin parts usually remain in the 1st Position. Whenever they go up to the 3rd position the notes arealso provided in the lover octacve.
> The parts for Cello which were usually in the tenor clef, have been written in bass clef.
> For woodwind and brass parts special attention has been paid to using a range suitable for students and amateurs.
> The parts for A-Clarinets are often easier and more pleasant to play in many pieces. However parts for Bb-Clarinets are included for each piece.
> For Bassoon and Trombones original tenor or alto clef parts have been transposed to bass clef.
> Piano parts can be played by the Teacher or an advanced Student.
> Most of the pieces have been shortened and adapted to suit young orchestras.
> Full score supplied to most arrangements.
> All parts are provided with bar numbers to make rehearsals easier.
> Metronome suggestions are merely guidelines.
> All pieces are also playable in smaller groups. (such as violin and piano').
> If French horns and violas are available the pieces do not need a piano accompaniment.
> String Parts are shown with bowings and partially with fingerrings.
> The parts for 1st Violin extend as far as the third position. Only in a few individual cases they range as far as 5th position and in such cases these notes are always given in the lower octave, too
> The 2nd Violin parts usually remain in the 1st Position. Whenever they go up to the 3rd position the notes arealso provided in the lover octacve.
> The parts for Cello which were usually in the tenor clef, have been written in bass clef.
> For woodwind and brass parts special attention has been paid to using a range suitable for students and amateurs.
> The parts for A-Clarinets are often easier and more pleasant to play in many pieces. However parts for Bb-Clarinets are included for each piece.
> For Bassoon and Trombones original tenor or alto clef parts have been transposed to bass clef.
> Piano parts can be played by the Teacher or an advanced Student.
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