Christoph Graupner
Konzert C-dur GWV 301
für Flöte, Streicher und Basso continuo (Stimmen)
PDF
voir
Recommander
recommander l'article
Christoph Graupner
Konzert C-dur GWV 301
für Flöte, Streicher und Basso continuo (Stimmen)
- Formation Flûte traversière, Orchestre à Cordes et Basse continue
- Édition Set de parties
-
Niveau de difficulté
- Compositeur Christoph Graupner
- Éditeur Ursula Kramer Florian Heyerick
- Maison d'Édition Christoph Graupner Gesellschaft
- N ° de commande GRM-CB-GE-301-02
TVA incluse,
Hors frais de port
sera expédié dans 2-4 semaines
Description:
Parts , Stimmen of Concerto in C major GWV 301 for Bassoon, Strings and Basso continuo
Among his solo concertos, the four works for solo bassoon are particularly significant: he did not assign more soloistic tasks to any other instrument.
The Concerto in C major GWV 301 can be characterized as an overtly expressive work. In the opening movement, a stormy Vivace, the solo instrument showcases a particularly interesting playing technique – unlike in the final movement, where the bassoon carries the primary melodic material. In the first movement, Graupner (or Klotsch?) also loves to climb down to the lowest possible note on the instrument, the contra B-flat, and to relish holding it prior to expanding the tonal range to the octave above. A sharp contrast to the sections that frame the concerto is provided by the second movement, Largo e giusto. Set in the relative minor key, it breathes something open and free, if not incoherent into the main musical action, before the third movement rouses the crowd by pointedly and compactly communicating the pure joy of playing.
Among his solo concertos, the four works for solo bassoon are particularly significant: he did not assign more soloistic tasks to any other instrument.
The Concerto in C major GWV 301 can be characterized as an overtly expressive work. In the opening movement, a stormy Vivace, the solo instrument showcases a particularly interesting playing technique – unlike in the final movement, where the bassoon carries the primary melodic material. In the first movement, Graupner (or Klotsch?) also loves to climb down to the lowest possible note on the instrument, the contra B-flat, and to relish holding it prior to expanding the tonal range to the octave above. A sharp contrast to the sections that frame the concerto is provided by the second movement, Largo e giusto. Set in the relative minor key, it breathes something open and free, if not incoherent into the main musical action, before the third movement rouses the crowd by pointedly and compactly communicating the pure joy of playing.
Les clients ont évalué ce produit:
Christoph Graupner Gesellschaft
Karolinplatz 5
64289
Darmstadt
Deutschland
Partitions depuis 1969
Depuis 1969, plus de 500 000 clients nous font confiance. Avec un vaste choix de plus de 1 000 000 partitions, nous sommes l'un des plus grands fournisseurs d'Europe. Grâce à notre grand stock, nous pouvons souvent expédier les partitions sous 24 heures. Quelles que soient les partitions que vous recherchez, vous êtes au bon endroit !
Votre Stefanie Reichert
Responsable du service client
