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Foreword by Donald Palma
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About Orin O'Brien
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Introduction and Acknowledgements
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ARF: Automatic Response File
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Before You Play
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Daily Practice Schedule Recommended
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Four-Year Plan (For Conservatory and Private Study)
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Recommended Study Material for Reading and Listening
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Daily Warm-Up Finger Exercises (L.H.)
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Frederick Zimmermann's A Contemporary Concept of Bowing Technique for the Double Bass Explained
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Shifting Practice
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Scale and Arpeggio Suggestions
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Frederick Zimmermann's Editor's Note
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Intonation Etude in D Major by T.A. Findeisen
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Explanation of Hooked Bowings
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Re-taking of Bow (Bow Retrieval) Etude by T.A. Findeisen
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Franz Simandl Etude No. 3 from Gradus ad Parnassum
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Articulation Terms
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Rotation System of Practice (For Learning Difficult Passages)
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Professional Behavior and Auditions
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Basic Principles of Orchestral Playing
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20. Repertoire Most Often Requested at Double Bass Auditions
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2Comparison Chart of Three Basic Styles of Music (Baroque, Classical and Romantic)
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2Becoming a Team Player by Jeanne Baxtresser
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2Audition Form Used at Professional Auditions
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2Beethoven, Symphony No. 9, Op. 25: Movement 4: Recitative (Score Articulations and Bowings)
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2Ginastera's Variaciones concertantes: Double Bass Solo by Orin O'Brien
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2Analytical Practicing by Barry Green
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2The Prague School (Courtesy of the Bass Club of Chicago)
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2Chamber Music for the Double Bass (Essential Repertoire)
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2Photos of Correct Left-Hand Position and Correct German and French Bow Grip
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