Michael Anthony
Extreme Warm-Ups and Chops Builders for Guitar
Michael Anthony
Extreme Warm-Ups and Chops Builders for Guitar
- Formation Guitare
- Compositeur Michael Anthony
-
Niveau de difficulté
- Édition Partition avec Tablatures
- Maison d’Édition Mel Bay Publications
- N ° de commande MB30510
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Description:
- Langue: anglais
- Pages: 68
- Parution: 09.02.2015
- Dimensions: 279 x 222 mm
- Poids: 235 g
- Catégorie: Études, Préluder et s'échauffer
- ISBN: 9780786688364
In this comprehensive book jazz guitarist Michael Anthony addresses the need to build flexibility and technical proficiency in a way consistent with the melodic motifs of contemporary music. Though the warm-ups are numbered, there is no order that must be followed. The guitarist may approach them according to his or her interest and inspiration.
They include: arpeggios, scale patterns, melodic minor forms, chord-melody groups, stretching and contrary motion, double-stops, octave displacement, walking bass with comping, two line phrases, 'out of the box' geometric shapes, overlapping rhythms, long arpeggios and diminished scale patterns. The finish line exemplifies arpeggios outlining I-VI-II-V7 progressions in major and minor.
In the words of Michael Anthony, 'I find that isolation of the right and left hand is useful, but ultimately it is the timing and coordination of the two that is necessary. ' The benefits of these warm-ups are threefold: 1. Technical improvement. 2. Fingerboard knowledge. 3. Ear training. Written in notation and tablature.
They include: arpeggios, scale patterns, melodic minor forms, chord-melody groups, stretching and contrary motion, double-stops, octave displacement, walking bass with comping, two line phrases, 'out of the box' geometric shapes, overlapping rhythms, long arpeggios and diminished scale patterns. The finish line exemplifies arpeggios outlining I-VI-II-V7 progressions in major and minor.
In the words of Michael Anthony, 'I find that isolation of the right and left hand is useful, but ultimately it is the timing and coordination of the two that is necessary. ' The benefits of these warm-ups are threefold: 1. Technical improvement. 2. Fingerboard knowledge. 3. Ear training. Written in notation and tablature.
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Author's Note
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Introduction
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Major 7th Arpeggios
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Arpeggios with 7th Harmonized for the Bb Scale
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Stretch Study
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Study in 5th with extended Tonality
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Chord Melody Fundamentals
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Chord Practice (V7-i)
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Triad Study in Triplets
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Extension of 7A and 6B
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Etudes in 5ths and 6ths
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Contrary Motion / Stretch
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Donna Lee B Diminished Killer and LA Studio Memoirs
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Eb Dorian up the Finger Board
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Still Eb minor 7
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Octave Displacement
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Chord Melody with Harmonized Triads
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Db Diatonic Pattern
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G melodic Minor: All the Forms
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Related Arpeggio Forms for 19
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Chord Melody Practice
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Study in 4ths
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Double Stops 3rds and Tommy Garrett's 50 Guitars
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Comp/Walking Bass
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Comp/Walking Bass Continued
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Overlapping Rhythms 5/4
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Overlapping Rhythms 4/4
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Overlapping Rhythms 3/4 and John Pisano's Guitar Hang
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Two Lines
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Long Arpeggios
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Geometric Shapes and Joe Pass Story
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Diminished Scales / Arpeggios and Patterns
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I-VI7-ii7-V7 Arpeggios
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Chord Melody Examples of 36
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Michael Anthony Bio
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Acknowledgements
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Informations du Fabricant:
Mel Bay Publications, Inc.
#4 Industrial Drive
MO 63069
Pacific
Vereinigte Staaten
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