Partitions pour ensemble mixte

Bass Flute solo part for Flashnight by Niels Rosing-Schow (2015-16).

Written for Athelas Sinfonietta Copenhagen and Jean Thorel.

Gertrud Schneider Einrichtung des Violinparts von C. I. Thorsson, des Fl.parts von K. Öhman

Soli (ST), gemischter Chor (SSAATTBB), 4 Klaviere, Pauken und Schlagwerk (10-12 Spieler) Wörtlich übersetzt ist das Libretto ein 'kleines Buch', ein 'Büchlein'. Doch nicht irgendein Büchlein. Seit es...

Two famous dances for recorders, guitar, cello, bass and percussion.

Gemischter Chor/Frauenchor/Männerchor a cappella oder mit Instrumenten ad lib. Zehn alte Melodien, vom frühchristlichen Hymnus bis ins 17. Jahrhundert reichend, sind vorwiegend dreistimmig für Singsti...

A play for stage or concert performances, for narrator, singers and choir, with instrumental accompaniment for recorders, strings and percussion (separate parts available).

Diese von Wilhelm Keller zusammengestellten Ausgaben enthalten Lieder aus den Bänden I-V, die auch ohne Instrumentalbegleitung gesungen werden können und sollen. Die vorherrschende Einstimmigkeit wird...

Diese von Wilhelm Keller zusammengestellten Ausgaben enthalten Lieder aus den Bänden I-V, die auch ohne Instrumentalbegleitung gesungen werden können und sollen. Die vorherrschende Einstimmigkeit wird...

Gemischter Chor (SATB), 3 Klaviere und Schlagwerk (8 Spieler).

gemischter Chor (SATB), 3 (2) Klaviere und Schlagzeug (5 Spieler)

gemischter Chor (SATTBB), 3 Klaviere und Schlagwerk (6-9 Spieler)

The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon,...

The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon,...

The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon,...

The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon,...

The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon,...

The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon,...

The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon,...

The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon,...

The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon,...

The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon,...

The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon,...