G. Schirmer

This work captures the quiet drama of the Nativity, as viewed by a white barn owl - a wild, disinterested observer, a night hunter that is both unaware of the event's significance and yet close to its...

Here is a spirited setting of an anonymous Christmas text that though contemporary, has a dance-like medieval quality to it. An ideal program opener or concert theme, it requires an excellent pianist....

Here is a spirited setting of an anonymous Christmas text that though contemporary, has a dance-like medieval quality to it. An ideal program opener or concert theme, it requires an excellent pianist....

The works of Swiss composer Ivo Antognini have been described as sublime. This setting of the beloved hymn by Franz Gruber certainly qualifies as sublime with the rich jazz chord voicings and unique c...

The works of Swiss composer Ivo Antognini have been described as sublime. This setting of the beloved hymn by Franz Gruber certainly qualifies as sublime with the rich jazz chord voicings and unique c...

Written as a solo song for Sesame Street's Big Bird, this arrangement was made for the Lincoln Center Holiday Tree Lighting celebration and warm wishes for joy and peace on Christmas Day and every day...

Written as a solo song for Sesame Street's Big Bird, this arrangement was made for the Lincoln Center Holiday Tree Lighting celebration and warm wishes for joy and peace on Christmas Day and every day...

For SATB Chorus and Piano.

No. 1 in Nativity Suite, the opening sounds of the instruments and voices in this setting are meant to invoke an air of mystery. The initial tone clusters, approached by layering the voice parts, shou...

No. 1 in Nativity Suite, the opening sounds of the instruments and voices in this setting are meant to invoke an air of mystery. The initial tone clusters, approached by layering the voice parts, shou...

Movement no. 2 from Nativity Suite, the opening sounds of the instruments and voices in this setting of one of the most widely known of the Latin texts appropriate for Christmas are meant to conjure a...

Movement no. 2 from Nativity Suite, the opening sounds of the instruments and voices in this setting of one of the most widely known of the Latin texts appropriate for Christmas are meant to conjure a...

Ryan Nowlin has created an especially intimate and delicate arrangement of this classic Adolphe Adam carol. Tastefully arranged for SATB choir and harp, our focus is drawn to the holy meaning of Chris...

Ryan Nowlin has created an especially intimate and delicate arrangement of this classic Adolphe Adam carol. Tastefully arranged for SATB choir and harp, our focus is drawn to the holy meaning of Chris...

Whether in popular song or in traditional carols, Christmas and winter go hand-in hand. Painting a picture of the stillness and holiness of the nativity, this stunning and inspired work will create a...

Whether in popular song or in traditional carols, Christmas and winter go hand-in hand. Painting a picture of the stillness and holiness of the nativity, this stunning and inspired work will create a...

Arranger David Chase has been music director and arranger for the Radio City Christmas Spectacular and this bright and brilliant arrangement of God Rest Ye Merry Gentlemen sparkles and jumps off the s...

Arranger David Chase has been music director and arranger for the Radio City Christmas Spectacular and this bright and brilliant arrangement of God Rest Ye Merry Gentlemen sparkles and jumps off the s...

This setting of the refrain from St. Luke's Gospel ('Glory be to God in the highest, peace on Earth and goodwill to all men') is intended to be sung at Christmas. It is written for a quartet of solois...

This Schirmer edition presents Three Chorales from The Chritmas Oratorio. They are scored for SATB Chorus with Piano accompaniment and have been translated and adapted by J. Troutbeck.

English Version of Christmas Motet for Four-Part Chorus of Mixed Voices with Organ or Piano Accompaniment. Edited by Reinhard G. Pauly.

For SATB Chorus and Piano. Poem by William M. Hoffman.

Saint-Saëns's Christmas Oratorio (or Oratorio de Noël) was written in 1858 when he was just 23. This piece was originally scored for five Vocal Soloists, Chorus, Harp, String Quartet and Organ; this,...

The Christmas Oratorio was composed in 1734. It is divided into 6 parts; and these are defined as being for performance respectively on the first, second, and third days of Christmas, on New Year's Da...

Edited by Tertius Noble and revised according to Handel's Original Score by Max Spicker.