Musique sacrée

Choral part for André Campra's Requiem for SSTTB soli, SSATTBB chorus and orchestra.

SSATBB soli, 2xSATB chorus and orchestra

French composer, Jean Gilles (1668-1705) received his musical training as a choirboy in Aix-en-Provence. His substantial works are entirely religious, Messe Des Morts being no exception. Gilles catal...

Immerse yourself in the splendid soundscapes of the Baroque era with the captivating Mass (RV 586), expertly reconstructed by the renowned musicologist Peter Ryom. This impressive sacred work enchants...

SSAT soli, SSATTB chorus and orchestra

Eja, mater, fons amoris ("O, Mère, fontaine d'amour") est un extrait du poème latin du XIIIe siècle Stabat Mater, un hymne à la Vierge Marie décrivant ses souffrances lors de la crucifixion de son fil...

Le texte est basé sur le sonnet de Pétrarque "Or ch'l ciel e la terra", célèbre dans le 8e livre de madrigaux de Monteverdi. En anglais, la pièce réduit les mots à une forme élémentaire, quasi abstrai...

A recorder method for children. This method is designed to be used by people who know nothing or very little about music and cannot read notation.

A recorder method for children. This method is designed to be used by people who know nothing or very little about music and cannot read notation.

Patrick Liebergen's edition of Bruckner's masterwork brings this 19th Century choral treasure to life for contemporary choirs. An excellent selection to develop phrasing, dynamics and legato choral te...

Patrick Liebergen's edition of Bruckner's masterwork brings this 19th Century choral treasure to life for contemporary choirs. An excellent selection to develop phrasing, dynamics and legato choral te...

Breathtaking! This gorgeous setting of the Agnus Dei text begins piano and gradually crescendos to a mezzo forte before ending in a pure, hushed final major chord. Easy to teach, this ABA-form piece w...

Breathtaking! This gorgeous setting of the Agnus Dei text begins piano and gradually crescendos to a mezzo forte before ending in a pure, hushed final major chord. Easy to teach, this ABA-form piece w...

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

Much repetition and a catchy makes this 7/8 number deceptively easy to learn. Opens with eight measures in 7/8, then a smooth, homophonic andante section in 4/4, followed by a repeat of the opening 7/...

Much repetition and a catchy makes this 7/8 number deceptively easy to learn. Opens with eight measures in 7/8, then a smooth, homophonic andante section in 4/4, followed by a repeat of the opening 7/...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Here's a true choral fanfare from Sally Albrecht. It opens with an 'Alleluia' section in which the male voices echo the females, as trombones might echo trumpets in a Baroque brass work. This is follo...

We might have called this piece: 'Greatest Hits of the Sixteenth Century!' It's every madrigal you can think of (plus a few you can't) cleverly woven into a tight, fun to sing medley. Each madrigal de...