Musique sacrée

This anthem is the final portion of a 'Gloria' taken from one of Lotti's masses, and is a lovely example of his use of imitation. It's scored a cappella, but instruments could easily and effectively d...

This anthem is the final portion of a 'Gloria' taken from one of Lotti's masses, and is a lovely example of his use of imitation. It's scored a cappella, but instruments could easily and effectively d...

Victoria, one of Spain's finest composers of the Renaissance, has been immortalized for his combination of melodic lines which weave beautiful tonal tapestries. This work, in our Easy Choral Masterwor...

Victoria, one of Spain's finest composers of the Renaissance, has been immortalized for his combination of melodic lines which weave beautiful tonal tapestries. This work, in our Easy Choral Masterwor...

Glorious polyphony soars in this edition of Victoria's O Magnum Mysterium. Long melismas and fugal entrances are part of the beauty of this great Renaissance work. For contest, festival or concert use...

Glorious polyphony soars in this edition of Victoria's O Magnum Mysterium. Long melismas and fugal entrances are part of the beauty of this great Renaissance work. For contest, festival or concert use...

This dynamic setting of the well-known Latin text is exciting and uplifting. Creating walls of sound that alternate between men's and women's voices, the composers use rhythmic drive and dynamic varia...

This dynamic setting of the well-known Latin text is exciting and uplifting. Creating walls of sound that alternate between men's and women's voices, the composers use rhythmic drive and dynamic varia...

This well-known song by Praetorius from the German Renaissance period has long been a part of our choral repertoire. Russell Robinson has created an easy-to-sing SATB setting as well as a three-part m...

This well-known song by Praetorius from the German Renaissance period has long been a part of our choral repertoire. Russell Robinson has created an easy-to-sing SATB setting as well as a three-part m...

Russ Robinson has taken Billings' popular canon, 'When Jesus Wept,' and added an 'Alleluia' text, making this Lenten work suitable any time during the church year. With its three available voicings, t...

A 22-minute, 9-movement work taking its text from various Requiem sources and teh BCP Funeral sentence. Each movement can stand alone (effectively creating 9 anthems), or the whole can be used for con...

I toiled hard on this, being the 8th movement of Requiem Aeternam (TKM201)! It was worth it though because here is a piece of immense power! TKM818, which is the first movement of this piece is now fe...

Written for an Icelandic chamber choir, this is one of Tim's most popular pieces and has featured in the London Festival of Contemporary Church Music. Now also featured in a set of 3 Latin Motets with...

Beati Mortui is a short motet which is suitable for memorial / remembrance concerts or services for Mixed Voices. The text is "Blessed are the dead who die in the name of the Lord, een so saith the sp...

This is an extract of Movement 1 from the larger piece TKM201, so please ensure this extract is what you wanted. The piece was commissioned in 2010 by Clarke University Dubuque Iowa and first performe...

Three short SATB Latin motets, two previously available separately, 'Ave Verum Corpus' (which has become hugely successful), 'Beati Mortui' and 'Versa in Luctum', it makes them cheaper in book form. T...

A rather beautiful set of words from St Teresa of Avila (1515) set in a simple style which would make an excellent introit or concert closer. Let nothing disturb youLet nothing disturb you,let nothing...

Written in 2022 after the covid pandemic because there are no small scale settings of The Beatitudes for SATB choir, unaccompanied with a small amount of divisi and the words are very poignant for the...

A cycle of four (multi-faith) sacred settings for SATB voices, celebrating both the human experience and the expression of religious wonder, spanning from the book of Genesis to an 8th-century Chinese...

For SATB Choir (Mixed Voices) A Cappella.

Written in 1945 for SATB Choir A Cappella. Without Gloria or Credo.