Mel Bonis
Œuvres vocales religieuses en 5 volumes: Vol. 3
Messes pour chœur à quatre voix mixtes a cappella
Mel Bonis
Œuvres vocales religieuses en 5 volumes: Vol. 3
Messes pour chœur à quatre voix mixtes a cappella
- Formation Chœur mixte (4 voix)
- Édition Partition
-
Niveau de difficulté
- Compositeur Mel Bonis
- Maison d'Édition Furore Verlag
- N ° de commande FUR15133
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Hors frais de port
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Description:
Messe a capella op. 164
Kyrie
Gloria
Sanctus
Agnus dei
Kyrié en fa # mineur, op. 170
Mel Bonis' career resembles that of reserved, non-career-oriented artists whom music history tends to forget. Her experiences as a woman in French society in the period between
the Franco-Prussian War and the First World War and the irregular rhythm of her composing also played their part. Nevertheless, she remains a highly inspired composer
whose abilities were unanimously recognised by her contemporaries.
Thus the historical contribution of this edition is threefold: It offers music lovers and musicologists the opportunity to discover the sacred work of a late post-Romantic composer,
written in a rather unusual personal context, to expand our knowledge of women composers and, last but not least, to deepen our understanding of their means of expression.
Kyrie
Gloria
Sanctus
Agnus dei
Kyrié en fa # mineur, op. 170
Mel Bonis' career resembles that of reserved, non-career-oriented artists whom music history tends to forget. Her experiences as a woman in French society in the period between
the Franco-Prussian War and the First World War and the irregular rhythm of her composing also played their part. Nevertheless, she remains a highly inspired composer
whose abilities were unanimously recognised by her contemporaries.
Thus the historical contribution of this edition is threefold: It offers music lovers and musicologists the opportunity to discover the sacred work of a late post-Romantic composer,
written in a rather unusual personal context, to expand our knowledge of women composers and, last but not least, to deepen our understanding of their means of expression.
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