Partitions pour chœurs

This motet was originally published for unaccompanied mixed chorus (HMC1971). This setting for male voices provides a harmonically rich addition to this repertoire.

This postlude to the words from Paradise Set (Holy, Hallelujah, Selah, Hosanna) is now available for double male chorus, suitable for a male chorus festival.

Robert Schumann was a master at composing lovely partsongs for chorus. On an exciting text by Heinrich Heine, the editor gives us a modern edition for use with school or community chorus male ensemble...

Originally scored for mixed voices as a part of the set Words from Paradise, this re-voicing for unaccompanied male chorus is lively and has use both in the church and with some academic ensembles. Us...

Originally set for mixed voices, this re-voicing for unaccompanied TTBB male chorus with divisi sets the traditional text from the book of Ruth. For a capable advanced ensemble, the lovely tonal langu...

Originally for mixed voices, this beautiful work finds especially poignant meaning when sung by treble voices. Scored here for SSAA chorus with piano, it can be performed quite successfully a cappella...

On a text of Heinrich Henne, this modern edition of the Schumann classic is made available to the advanced college/university or high school festival chorus. Consider pairing it with other classics by...

On a text of Heinrich Henne, this modern edition of the Schumann classic is made available to the advanced college/university or high school festival chorus. Consider pairing it with other classics by...

Uses: Concert, Thanksgiving Scripture: Psalms 96 & 22 A modern masterpiece that is now standard repertoire for All-State choruses, university choirs and festivals the world over. Majestic and powerful...

Version pour chœur d'hommes a cappella.

John Parker and Greg Gilpin have combined their talents to create this exuberant and original spiritual for a cappella voices. Full of dynamic contrast, rhythmic nuances, and textual percussiveness, N...

John Parker and Greg Gilpin have combined their talents to create this exuberant and original spiritual for a cappella voices. Full of dynamic contrast, rhythmic nuances, and textual percussiveness, N...

Quiet with longing, this a cappella arrangement of a favorite American folk song is one of the most haunting and lush ever written. Beginning with rich and low vocal writing, the work moves with the u...

Uses: Benediction, Encore, Contest Richly expressive, an old poem is treated with deep, rich harmonies and becomes a moving closer for concerts or festivals. Written with an ear to the a cappella glee...

Uses: Benediction, Encore, Contest Richly expressive, an old poem is treated with deep, rich harmonies and becomes a moving closer for concerts or festivals. Written with an ear to the a cappella glee...

Uses: Concert Scripture: Romans 12:2 Rich harmonies and engaging textures characterize this affirming song of faith. A classic spiritual treatment for SATB or men's chorus!

This famous jazz piano piece by Vince Guaraldi has been a top-selling SATB arrangement and is now available in new voicings that will fit almost any choral ensemble. Challenging, yet accessible, this...

Using “body percussion” and stomping to accompany this traditional Irish text, Desmond Earley has captured the spririt and energy of Irish men who make a living at the sea. Set for 3 part...

Using “body percussion” and stomping to accompany this traditional Irish text, Desmond Earley has captured the spririt and energy of Irish men who make a living at the sea. Set for 3 part...

Number 2 from 'The Greatest of These' (No. 1, Unseen and No. 3, Flight) this movement is written on the virtue of hope. Using a rich yet simple harmonic palette that strives to create a sense of nosta...

Number 3 from The Greatest of These (No. 1, Unseen and No. 2, Echoes) this movement is written on the virtue of love. Set in a repetitive, trance-like exploration of personal experiences. The treatmen...

Number 3 from The Greatest of These (No. 1, Unseen and No. 2, Echoes) this movement is written on the virtue of love. Set in a repetitive, trance-like exploration of personal experiences. The treatmen...

Number 1 from The Greatest of These (No. 2, Echoes and No. 3, Flight) this movement, is written on the virtue of faith. It is largely atmospheric as it depicts the endlessly shifting vaporous uncertai...

Number 1 from The Greatest of These (No. 2, Echoes and No. 3, Flight) this movement, is written on the virtue of faith. It is largely atmospheric as it depicts the endlessly shifting vaporous uncertai...