Partitions pour chœurs

It's a salute to the 'rough and ready, strong and steady' boys of your choir. And who better to salute the boys than the girls: 'You gotta love the boys! ' Jay Althouse pulls out all the stops on this...

Only Jerry Estes could create this fresh and fun arrangement of the classic spiritual. It's clever and well-crafted for young and developing 2 and 3-part choirs. The ranges are modest, the part-writin...

167 in der Praxis bewährte Chor Warm-Ups für jede Probesituation: - Probeneinstieg - Atmung - Vokale - Aussprache -Beweglichkeit - Tonleitern - Intervalle - Intonation - Phrasierung u. v. m. Diese Sam...

No nation better represents the mixing of 'world' music than Brazil, and the pure harmonies and silky melodies of its pop music have never gone out of style. Jay Althouse recreates this Brazilian feel...

Partner songs are always fine choices for young choirs, and this is one by Mary Donnelly and George Strid is one of the best. The lilting melody of the traditional Still, Still, Still is perfectly pai...

It has hints of Africa, as well as the Caribbean. Certainly, Bethlehem Hallelu has its roots in the African Diaspora. It's rhythmic and melodic, in a walking tempo wich anchors the piece as it builds...

Nancy Litten's Choral and Vocal Warm-Ups for Pianists provides the perfect accompaniment for a whole range of warm-ups she herself uses regularly with choirs. This invaluable guide leads the choral di...

Notes about each holiday (may be used as connecting dialog), Programming ideas, Reproducible Student Song Sheets, Performance and Musical Development notes, Suggested activities, PLUS tons of ideas fo...

Hear the 'clip, clop' of horses hooves and the sparkle of sleigh bells in this vivacious pairing of two winter-time favorites: Jingle Bells and Over the River with hints of Up On The Housetop thrown i...

For just a little while we were here together. . . what a special time it was. These touching sentiments, and a beautifully singable melody, make for Just A Little While the perfect number for graduat...

A majestic fanfare-like echo section opens this exceptional choral work by Sally K. Albrecht. The strong opening melody gives way to a driving contrapuntal section with handclaps. A descant powers the...

This popular festival finale has been a favorite of choirs and audiences for years, but the previously required four-hand piano edition has limited its use. Now Sally Albrecht has edited the piano par...

The beautiful melody could certainly stand alone, but when the optional flute or recorder enters, playing Amazing Grace in counterpoint to the melody, well, it's the icing on the cake. And the text is...