Torstein Aagaard-Nilsen
Circius
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Torstein Aagaard-Nilsen
Circius
- Formation Brass Band
- Édition Partition
-
Niveau de difficulté
- Compositeur Torstein Aagaard-Nilsen
- Maison d'Édition Gobelin
- N ° de commande GOB000037-130
TVA incluse,
Hors frais de port
sera expédié dans 3-6 jours ouvrables
Description:
Composed during the summer of 1988. Commissioned by The Norwegian Brass Band Club First performed in the Grieg Hall at the 10th Anniversary Concert for the Norwegian Championship, Bergen, February 1989. EBML conducted by Michael Antrobus.
The work is important for me because it was my first piece to be played outside Norway. Black Dyke/David King performed it and did a recording of it in 1991.
The composer:
In the original score I quote a Swedish bishop (Olaus Mangnus) who lived in the 15th century. He travelled around Scandinavia and drew maps - very important historic material.
When he came to the north of Norway (where I come from) hedescribed the wind from the north as Ciricus: (something like) Worst of all winds is Circius, that revolves (?= turn upside down) heaven and earth. (Well, not a good translation I'm afraid).
The fast sections reflects the mighty winds from the north. In the middle section, I borrowed a folksong-like tune (by C. Elling, a norwegian composer).
The text (by Kristoffer Janson) tells about old times when the fishermen used open boats: they had to put their lives in the hands of God.
The work is important for me because it was my first piece to be played outside Norway. Black Dyke/David King performed it and did a recording of it in 1991.
The composer:
In the original score I quote a Swedish bishop (Olaus Mangnus) who lived in the 15th century. He travelled around Scandinavia and drew maps - very important historic material.
When he came to the north of Norway (where I come from) hedescribed the wind from the north as Ciricus: (something like) Worst of all winds is Circius, that revolves (?= turn upside down) heaven and earth. (Well, not a good translation I'm afraid).
The fast sections reflects the mighty winds from the north. In the middle section, I borrowed a folksong-like tune (by C. Elling, a norwegian composer).
The text (by Kristoffer Janson) tells about old times when the fishermen used open boats: they had to put their lives in the hands of God.
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