Come Back To Me
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Come Back To Me
- Formation Ensemble Jazz (Solo: Voix)
- Éditeur Billy May
-
Niveau de difficulté
- Édition Conducteur et parties
- Maison d’Édition Jazz Lines Publications
- N ° de commande JLP-9062
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Description:
Jazz Big Band Arrangement with Vocal. Full Score, 2 Alto Saxophones (Alto 2 doubles Clarinet), 2 Tenor Saxophones (Tenor 1 doubles Clarinet), Baritone Saxophone, 4 Trumpets, 3 Trombones, Piano, Bass, Drums
This is a fantastic (and difficult) Billy May arrangement from the Sinatra/Ellingtonalbum, recorded in 1967. This up-tempo swing chart (quarter note = 300!) features solos for clarinet and tenor sax. Trumpeter Cat Anderson's range was well-known to all. As a result, May writes optional notes for him that go to F7! And, Cat plays them! Of course, we realize that 99.99% of trumpet players can't reach these notes, but they are indicated nonetheless for those who want to try. Jazz Lines Publications is very proud to publish these arrangements with the support of Frank Sinatra Enterprises LLC. Finally the music of a truly landmark and historic recording session is available to the public. This has been published from the original parts used for the recording session. Ranges: Trumpet 1: to A6 (optional F7) Trumpet 2: to F6 Trombone 1: to Bb4 Vocal Key: Eb modulating to F Vocal Range: C3 to F4
This is a fantastic (and difficult) Billy May arrangement from the Sinatra/Ellingtonalbum, recorded in 1967. This up-tempo swing chart (quarter note = 300!) features solos for clarinet and tenor sax. Trumpeter Cat Anderson's range was well-known to all. As a result, May writes optional notes for him that go to F7! And, Cat plays them! Of course, we realize that 99.99% of trumpet players can't reach these notes, but they are indicated nonetheless for those who want to try. Jazz Lines Publications is very proud to publish these arrangements with the support of Frank Sinatra Enterprises LLC. Finally the music of a truly landmark and historic recording session is available to the public. This has been published from the original parts used for the recording session. Ranges: Trumpet 1: to A6 (optional F7) Trumpet 2: to F6 Trombone 1: to Bb4 Vocal Key: Eb modulating to F Vocal Range: C3 to F4