Walter Lebermann
The imitatively set ricercari of Palestrina's contemporary can be played soloistically or chorically by 'fiddling or blowing instruments'. A valuable collection of authentic Renaissance music.
The imitatively set ricercari of Palestrina's contemporary can be played soloistically or chorically by 'fiddling or blowing instruments'. A valuable collection of authentic Renaissance music.
- Quatuor à Cordes
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- Hautbois et Orchestre à cordes
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The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.
The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.
- 2 Flûtes traversières et Orchestre à cordes
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Partitur = Cembalo - Streichorchester und B.c.
Partitur = Cembalo - Streichorchester und B.c.
- Orchestre à cordes et Basse continue
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A perfect example for an early symphony in the Neapolitan style.
A perfect example for an early symphony in the Neapolitan style.
- Orchestre à Cordes
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Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...
Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...
- Orchestre à Cordes
- Set de parties
- Schott Musik
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Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
- Violon et Orchestre à cordes
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Stimmensatz - Oboe I/II, Horn-d I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe
Stimmensatz - Oboe I/II, Horn-d I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe
- 2 Hautbois, 2 Cors et Orchestre à Cordes
- Set de parties
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- 2 Hautbois, 2 Cors et Orchestre à Cordes
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- Orchestre à Cordes
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- Orchestre à Cordes
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A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.
A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.
- Orchestre à Cordes
- Set de parties
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A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.
A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.
- Orchestre à Cordes
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The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.
The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.
- 2 Flûtes traversières et Orchestre à cordes
- Partition
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Stimmensatz - 5 V I, 5 V II, 3 Va, 5 Vc/Kb - Viola und Streichorchester
Stimmensatz - 5 V I, 5 V II, 3 Va, 5 Vc/Kb - Viola und Streichorchester
- Alto et Orchestre à cordes
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- Alto et Orchestre à cordes
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A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...
A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...
- Flûte traversière et Orchestre à cordes
- Set de parties
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A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...
A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...
- Flûte traversière et Orchestre à cordes
- Parties supplémentaires - Cordes
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A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...
A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...
- Flûte traversière et Orchestre à cordes
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Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...
Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...
- 2 Flûtes traversières, 2 Cors et Orchestre à Cordes
- Conducteur
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Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...
Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...
- 2 Flûtes traversières, 2 Cors et Orchestre à Cordes
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Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive...
Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive...
- 2 Flûtes traversières et Orchestre à cordes
- Partition
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Though A.E. Brachvogel's portrayal of the failed genius' in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductiv...
Though A.E. Brachvogel's portrayal of the failed genius' in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductiv...
- 2 Flûtes traversières et Orchestre à cordes
- Set de parties
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Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive...
Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive...
- 2 Flûtes traversières et Orchestre à cordes
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- Clarinette et Orchestre à Cordes
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