Sy Johnson

Penned shortly after he visited the Rio de Janiero Jazz Festival in Brazil in 1961, this classic by bop trumpeter Kenny Dorham has been recorded countless times by a long list of prestigious jazz arti...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Titled in honor of Charles Mingus' good friend and mentor Oscar Pettiford, this swing chart opens with the two tenors, followed by all the saxes, and finally the entire ensemble. Whether you play this...

Titled in honor of Charles Mingus' good friend and mentor Oscar Pettiford, this swing chart opens with the two tenors, followed by all the saxes, and finally the entire ensemble. Whether you play this...

Titled in honor of Charles Mingus' good friend and mentor Oscar Pettiford, this swing chart opens with the two tenors, followed by all the saxes, and finally the entire ensemble. Whether you play this...

Titled in honor of Charles Mingus' good friend and mentor Oscar Pettiford, this swing chart opens with the two tenors, followed by all the saxes, and finally the entire ensemble. Whether you play this...

Titled in honor of Charles Mingus' good friend and mentor Oscar Pettiford, this swing chart opens with the two tenors, followed by all the saxes, and finally the entire ensemble. Whether you play this...

Titled in honor of Charles Mingus' good friend and mentor Oscar Pettiford, this swing chart opens with the two tenors, followed by all the saxes, and finally the entire ensemble. Whether you play this...

Titled in honor of Charles Mingus' good friend and mentor Oscar Pettiford, this swing chart opens with the two tenors, followed by all the saxes, and finally the entire ensemble. Whether you play this...

Titled in honor of Charles Mingus' good friend and mentor Oscar Pettiford, this swing chart opens with the two tenors, followed by all the saxes, and finally the entire ensemble. Whether you play this...

Titled in honor of Charles Mingus' good friend and mentor Oscar Pettiford, this swing chart opens with the two tenors, followed by all the saxes, and finally the entire ensemble. Whether you play this...

Titled in honor of Charles Mingus' good friend and mentor Oscar Pettiford, this swing chart opens with the two tenors, followed by all the saxes, and finally the entire ensemble. Whether you play this...