Rosephanye Powell

African-American poet Countee Cullen is the text source Rosephanye has chosen to set to music and one understands why when the words are read. The title is used as a litany response, Christ is born to...

Taking its text from 19th century Mexican poet Amado Nervo, this exciting concert work is marked by bright harmonies and vigorous call and response phrases which celebrate the beauty of nature, the po...

The first section of this original carol by Rosephanye Powell is composed in the style of an African-American spiritual, following a call-and-response pattern, while the second section is in a jubilan...

This is a new song, both words and music, but it carries the sound of a favorite spiritual. Rosephanye's roots often influence her unique output, and this one is sure to be a popular Christmas selecti...

Rosephanye Powell, compositrice de renom, prend un cri de champ traditionnel et le présente avec soin pour obtenir un son authentique. Il y a une grande passion dans cette approche, qui fournira une e...

Experience the breathtaking beauty of "Kyrie Eleison in F Major," a stunning choral work by Rosephanye Powell. With expressive vocal lines and a richly crafted piano accompaniment, Powell delivers a p...

Now available: the international choral favorite, John 1. Inspired by Rosephanye Powell's "The Word Was God," this powerful work was commissioned and arranged by Indiana Bible College for its choral p...

The SATB setting of Non Nobis Domine has become one of Rosephanye Powell's most celebrated works. The driving energy and ostinato rhythms are classic elements from Rosephanye's pen. Her husband Willia...

When a choral publication becomes a hit, everyone wants to be able to sing it. Following in the footsteps of Rosephanye Powell's original a cappella setting comes this new treble voice edition. The Jo...

When a choral publication becomes a hit, everyone wants to be able to sing it. Following in the footsteps of Rosephanye Powell's original a cappella setting comes this new treble voice edition. The Jo...

Rosephanye Powell released a gripping arrangement for mixed voices in 2004 that has enjoyed steady use. This SSAA arrangement remains true to the unique qualities of the previous voicing - heart-wrenc...

Previously available only for SSAATTBB a cappella, this new edition is SATB (no divisi) and includes a piano part that completes the harmony but almost makes you think the choir was a cappella. Excell...

Previously available only for SSAATTBB a cappella, this new edition is SATB (no divisi) and includes a piano part that completes the harmony but almost makes you think the choir was a cappella. Excell...

This classic has donned some new harmonic clothes! Beginning quietly, Rosephanye Powell creates rhythmic ostinato patterns that inject a driving fervor all the way to the concluding chord.

Although Rosephanye often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord has been one of her mo...

Rosephanye Powell's stunning work recorded with the Baltimore Choral Arts Society will make a wonderful feature for concert choirs from high school through community and collegiate levels. Whether you...

A new creation from Rosephanye Powell, this large-scale choral work infuses the imagination of singer and listener alike to the great mystery and great joy that is the Trinity--Father, Son, and Holy S...

Utilisant efficacement une variété d'instruments de percussion et le piano, Rosephanye a créé un hymne de Noël grandiose et joyeux. Commençant aussi doucement que le titre l'indique, il change finalem...

Adapted from a Bantu folksong, this gently teasing song translates as I love you, but you do not love me. How is that? If you do not love me, you had better tell me so. Performance Time: Approx. 2:50....

The text from Matthew 11:28-30 forms the lyric framework for this expressive anthem. Gentle vocal echoes and rich harmonies create an atmosphere of peace andserenity.

This West African folksong is arranged as a call and response easily mastered by all choirs. Suggested African percussion is included and could be enhanced with body percussion and simple movements.