Paul Hindemith

Pour trio de saxophones, arrangé par Christoph Enzel.

Minimax fut exécuté pour la première fois dans sa version originale en 1923 lors du festival de Donaueschingen, et arrangé par Christoph Enzel pour quatuor de saxophones en 2014. Les six parodies de m...

Présentée pour la première fois en édition séparée, l'œuvre de Paul Hindemith 'Pantomime' est tirée de son opéra 'Cardillac', une composition ayant pour sujet la mystérieuse histoire criminelle concer...

Il nous faut jouer ici une journée entière!, fut la phrase enthousiaste de Paul Hindemith après qu'il eut entendu l'orchestre de l'école de Plön. Nous commencerons par une aubade, jouée de la tour par...

Pour la fête de la musique de la 'Staatliche Bildungsanstalt' de Plön le 20 juin 1932, Paul Hindemith (1895-1963) composa son 'Plöner Musiktag'. L'œuvre se compose de 'Morgenmusik', 'Tafelmusik', d'un...

These pieces, here published for the first time, were written by Hindemith for the festival 'New Music in Berlin 1930', when the Trautonium was first presented to the public. This practical edition is...

Pendant leurs années d'exil en Amérique, Paul et Gertrud Hindemith rencontraient régulièrement deux jeunes violonistes pour jouer de la musique de chambre. Lorsque, en 1944, Hindemith fit pour ce quat...

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but...

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but...

As is the case with 'Trauermusik', there now exists an organ version of its sister work. Heribert Breuer, choir director and professor in Berlin, arranged the score for the organ, thus opening up furt...

As is the case with 'Trauermusik', there now exists an organ version of its sister work. Heribert Breuer, choir director and professor in Berlin, arranged the score for the organ, thus opening up furt...

Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauer...

Only two years after composing his three-movement Cello Sonata in 1919, Paul Hindemith undertook a comprehensive revision of the work. Abandoning the two outer movements, he created a new version base...

Harfe; Violine ad lib.

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but...

Hindemith composed a total of 14 motets for soprano and piano between 1940 and 1960. It was not until 1958 that Hindemith developed the idea of combining his early motets with the composition of furth...

Sopran und Klavier

1942 proved to be the 'year of the song' for Hindemith. Within a few months he wrote 21 songs for his wife, Gertrud, a classically trained singer. Until now these songs have only been published in the...

Un recueil de chansons en anglais dans les formations les plus diverses ; l'intention étant de rester à un niveau vraiment facile, on y trouve tout aussi bien une simple chanson enfantine accompagnée...

Nusch-Nuschi (the Mumble Wumble) is one of three one-act operas with provocative librettos by the young Hindemith which caused outrage; the other two are 'Saint Susanna' and 'The murderer who brings h...

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but...