Paul Hindemith

Le titre de cette série, qui comporte en tout sept compositions, est trompeur : chaque pièce a en effet des traits concertants et solistiques. No 1 se caractérise par des instruments, comme une boîte...

The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of 'Chamber Music No. 1', the audience even demanded a repetition of the third and...

Les sept pièces pour musique de chambre de Hindemith font partie des œuvres instrumentales les plus couronnées de succès des années 1920 et, par la même, de la nouvelle musique de cette époque. Lors d...

Le titre de cette série, qui comporte en tout sept compositions, est trompeur : chaque pièce a en effet des traits concertants et solistiques. No 1 se caractérise par des instruments, comme une boîte...

Gemischter Chor (SABar) oder Kinderchor (SMezA) mit Streichquartett oder anderen Melodie-Instrumenten.

Paul Hindemith hat zeit seines Lebens nicht allein über das eigene kompositorische Schaffen, sondern ebenso umfassend und teilweise polemisch über die Musik seiner Zeitgenossen und Vorgänger reflektie...

Being the result of lectures held by the author in America, this book keeps the promise made in the title: to show the composer in his world, portray him in his workshop and describe the disputes he h...

Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were p...

Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were p...

Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were p...

Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were p...

Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were p...

Ernst Toch (1887-1964) ist vielleicht nicht der 'meistvergessene Komponist des 20. Jahrhunderts', als den er sich selbst einmal bezeichnete. Gleichwohl ist sein Werk heute sehr selten auf den Konzerts...

Genie, Prophet, Revolutionär? Die zeitgenössische Rezeption Chopins darf - wie seine Musik - als Ausnahmeerscheinung gelten: Wie bei kaum einer anderen davor oder danach spiegelt sich darin in exempla...

In der hier anlässlich von Hindemiths 100. Geburtstag zusammengestellten Auswahl von Aufsätzen aus den 20 ersten Jahrgängen des Hindemith-Jahrbuchs wird versucht, zwei unterschiedlichen Anliegen Rechn...

Eine umfassende musikwissenschaftliche Auseinandersetzung mit Lachenmanns künstlerischem und theoretischem Schaffen, das zweifellos zu den ästhetisch und intellektuell bedeutendsten Phänomenen der Mus...

The Book aims to be a guide throuhg the little universe which is the working place of the man who writes music. As such it talks predominantly to the layman, although the expert composer may also find...

Webers umfangreiches schriftstellerisches Werk spiegelt nicht nur die ästhetischen Positionen des Komponisten im Verhältnis zu seinen Zeitgenossen wider. Vielmehr stehen seine Schriften in einer kompl...

From the mid-1920s Hindemith increasingly attended to educational projects for children and young people and even experimented in this field which led to the 'Plöner Musiktag' in 1932. A particularly...

We owe it to Paul Hindemith's interest in education, which, in turn, was owed not only to the professional musicians and composers, that he composed for children and amateur musicians as well. Dame Mu...

We owe it to Paul Hindemith's interest in education, which, in turn, was owed not only to the professional musicians and composers, that he composed for children and amateur musicians as well. Dame Mu...

We owe it to Paul Hindemith's interest in education, which, in turn, was owed not only to the professional musicians and composers, that he composed for children and amateur musicians as well. Dame Mu...

We owe it to Paul Hindemith's interest in education, which, in turn, was owed not only to the professional musicians and composers, that he composed for children and amateur musicians as well. Dame Mu...

We owe it to Paul Hindemith's interest in education, which, in turn, was owed not only to the professional musicians and composers, that he composed for children and amateur musicians as well. Dame Mu...