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Patrick M. Liebergen

Joseph Haydn
aus: Große Orgelmesse

from Große Orgelmesse by Franz Joseph Haydn. Extracted from the 'Agnus Dei' movement of Haydn's Große Orgelmesse, this scholarly choral edition captures the authentic interplay of the original instrum...

from Große Orgelmesse by Franz Joseph Haydn. Extracted from the 'Agnus Dei' movement of Haydn's Große Orgelmesse, this scholarly choral edition captures the authentic interplay of the original instrum...

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Joseph Haydn
aus: Große Orgelmesse

from Große Orgelmesse by Franz Joseph Haydn. Extracted from the 'Agnus Dei' movement of Haydn's Große Orgelmesse, this scholarly choral edition captures the authentic interplay of the original instrum...

from Große Orgelmesse by Franz Joseph Haydn. Extracted from the 'Agnus Dei' movement of Haydn's Große Orgelmesse, this scholarly choral edition captures the authentic interplay of the original instrum...

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A majestic chorus from Haydn's final mass. Opens with a solo for your most developed soprano, followed by joyful classical singing for the entire group.

A majestic chorus from Haydn's final mass. Opens with a solo for your most developed soprano, followed by joyful classical singing for the entire group.

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A majestic chorus from Haydn's final mass. Opens with a solo for your most developed soprano, followed by joyful classical singing for the entire group.

A majestic chorus from Haydn's final mass. Opens with a solo for your most developed soprano, followed by joyful classical singing for the entire group.

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Wolfgang Amadeus Mozart
(from Regina Coeli, K. 108)

This final movement from Mozart's first Regina Ceoli is easily put together and provides an impressive masterwork appropriate year round. A fine example of the Viennese Classical style, composed by th...

This final movement from Mozart's first Regina Ceoli is easily put together and provides an impressive masterwork appropriate year round. A fine example of the Viennese Classical style, composed by th...

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Wolfgang Amadeus Mozart
(from Regina Coeli, K. 108)

This final movement from Mozart's first Regina Ceoli is easily put together and provides an impressive masterwork appropriate year round. A fine example of the Viennese Classical style, composed by th...

This final movement from Mozart's first Regina Ceoli is easily put together and provides an impressive masterwork appropriate year round. A fine example of the Viennese Classical style, composed by th...

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Giovanni Paisiello

Set entirely on 'Alleluia,' this trio from the opera Nina reveals Paisiello's ability to compose tuneful melodies and simple harmonies with traditional cadences. A straightforward round, requiring lit...

Set entirely on 'Alleluia,' this trio from the opera Nina reveals Paisiello's ability to compose tuneful melodies and simple harmonies with traditional cadences. A straightforward round, requiring lit...

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Giovanni Paisiello

Set entirely on 'Alleluia,' this trio from the opera Nina reveals Paisiello's ability to compose tuneful melodies and simple harmonies with traditional cadences. A straightforward round, requiring lit...

Set entirely on 'Alleluia,' this trio from the opera Nina reveals Paisiello's ability to compose tuneful melodies and simple harmonies with traditional cadences. A straightforward round, requiring lit...

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Wolfgang Amadeus Mozart
(from Missa in C (Credo Mass), K. 257)

An achievable masterwork in the Viennese Classical style, Dr. Liebergen's edition presents the option of featuring a vocal quartet on selected passages. One Latin phrase and welcome repetition minimiz...

An achievable masterwork in the Viennese Classical style, Dr. Liebergen's edition presents the option of featuring a vocal quartet on selected passages. One Latin phrase and welcome repetition minimiz...

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Wolfgang Amadeus Mozart
(from Missa in C (Credo Mass), K. 257)

An achievable masterwork in the Viennese Classical style, Dr. Liebergen's edition presents the option of featuring a vocal quartet on selected passages. One Latin phrase and welcome repetition minimiz...

An achievable masterwork in the Viennese Classical style, Dr. Liebergen's edition presents the option of featuring a vocal quartet on selected passages. One Latin phrase and welcome repetition minimiz...

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Michael Haydn
from 'Missa Sancti Hieronymi'

Composed by Johann Michael Haydn (younger brother of composer Joseph Haydn), this classical work features brilliant melismatic lines and a well-crafted piano reduction of the original orchestral score...

Composed by Johann Michael Haydn (younger brother of composer Joseph Haydn), this classical work features brilliant melismatic lines and a well-crafted piano reduction of the original orchestral score...

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Michael Haydn
from 'Missa Sancti Hieronymi'

Composed by Johann Michael Haydn (younger brother of composer Joseph Haydn), this classical work features brilliant melismatic lines and a well-crafted piano reduction of the original orchestral score...

Composed by Johann Michael Haydn (younger brother of composer Joseph Haydn), this classical work features brilliant melismatic lines and a well-crafted piano reduction of the original orchestral score...

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Franz Schubert
from Mass No. 4, D. 452

A warm adagio introduction breaks into a joyous 'Hosanna' chorus in this 44-measure homophonic masterwork. Taken from Schubert's Mass No. 4, this edition offers sensible vocal ranges, editorial dynami...

A warm adagio introduction breaks into a joyous 'Hosanna' chorus in this 44-measure homophonic masterwork. Taken from Schubert's Mass No. 4, this edition offers sensible vocal ranges, editorial dynami...

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Franz Schubert
from Mass No. 4, D. 452

A warm adagio introduction breaks into a joyous 'Hosanna' chorus in this 44-measure homophonic masterwork. Taken from Schubert's Mass No. 4, this edition offers sensible vocal ranges, editorial dynami...

A warm adagio introduction breaks into a joyous 'Hosanna' chorus in this 44-measure homophonic masterwork. Taken from Schubert's Mass No. 4, this edition offers sensible vocal ranges, editorial dynami...

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Antonio Vivaldi

From master composer Antonio Vivaldi's Laetatus Sum (a setting of Psalm 121), this edition brings the brief work to today's choirs. Featuring an accessible Latin text and a lively optional cello part,...

From master composer Antonio Vivaldi's Laetatus Sum (a setting of Psalm 121), this edition brings the brief work to today's choirs. Featuring an accessible Latin text and a lively optional cello part,...

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Antonio Vivaldi

From master composer Antonio Vivaldi's Laetatus Sum (a setting of Psalm 121), this edition brings the brief work to today's choirs. Featuring an accessible Latin text and a lively optional cello part,...

From master composer Antonio Vivaldi's Laetatus Sum (a setting of Psalm 121), this edition brings the brief work to today's choirs. Featuring an accessible Latin text and a lively optional cello part,...

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Joseph Haydn
(from 'Mariazellermesse')

Patrick Liebergen has carefully edited and arranged this Haydn masterwork for today's school choirs. Opens with a homophonic adagio section with large dynamic changes, followed by a bright allegro sec...

Patrick Liebergen has carefully edited and arranged this Haydn masterwork for today's school choirs. Opens with a homophonic adagio section with large dynamic changes, followed by a bright allegro sec...

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Joseph Haydn
(from 'Mariazellermesse')

Patrick Liebergen has carefully edited and arranged this Haydn masterwork for today's school choirs. Opens with a homophonic adagio section with large dynamic changes, followed by a bright allegro sec...

Patrick Liebergen has carefully edited and arranged this Haydn masterwork for today's school choirs. Opens with a homophonic adagio section with large dynamic changes, followed by a bright allegro sec...

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Joseph Haydn

Taken from Haydn's masterwork Heiligmesse, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Cla...

Taken from Haydn's masterwork Heiligmesse, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Cla...

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Joseph Haydn

Taken from Haydn's masterwork Heiligmesse, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Cla...

Taken from Haydn's masterwork Heiligmesse, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Cla...

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Joseph Haydn

Taken from Haydn's masterwork Heiligmesse, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Cla...

Taken from Haydn's masterwork Heiligmesse, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Cla...

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Joseph Haydn

Taken from Haydn's masterwork Heiligmesse, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Cla...

Taken from Haydn's masterwork Heiligmesse, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Cla...

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Antonio Vivaldi

Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection - the first movement of Vivaldi's masterwork of the same name. Chor...

Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection - the first movement of Vivaldi's masterwork of the same name. Chor...

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Wolfgang Amadeus Mozart
(from 'Requiem')

Mozart's Dies irae has been transposed down a major second from the original. Scored originally for S. A. T. B. voices with an accompaniment of basset horns (alto clarinets), bassoons, trumpets, timpa...

Mozart's Dies irae has been transposed down a major second from the original. Scored originally for S. A. T. B. voices with an accompaniment of basset horns (alto clarinets), bassoons, trumpets, timpa...

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Wolfgang Amadeus Mozart
(from 'Requiem')

Mozart's Dies irae has been transposed down a major second from the original. Scored originally for S. A. T. B. voices with an accompaniment of basset horns (alto clarinets), bassoons, trumpets, timpa...

Mozart's Dies irae has been transposed down a major second from the original. Scored originally for S. A. T. B. voices with an accompaniment of basset horns (alto clarinets), bassoons, trumpets, timpa...

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