Patrick M. Liebergen

GLORIA is a setting of the hymn of praise from the traditional Latin Mass. The work is divided into twelve seperate movements, which include eight choruses, one aria for soprano, two arias for alto an...

GLORIA is a setting of the hymn of praise from the traditional Latin Mass. The work is divided into twelve seperate movements, which include eight choruses, one aria for soprano, two arias for alto an...

Energetic and joyous masterwork from Handel's 1743 oratorio featuring both homophonic and contrapuntal writing. Parts for two trumpets (optional) included in the publication. Keyboard accompaniment is...

Energetic and joyous masterwork from Handel's 1743 oratorio featuring both homophonic and contrapuntal writing. Parts for two trumpets (optional) included in the publication. Keyboard accompaniment is...

Come to the Table of the Lord is a Communion anthem that may be performed throughout the year and especially during Holy Week. Suggested corresponding lectionary readings include Exodus 12: 1-14, Psal...

A newly discovered Baroque gem, arranged for today's SAB and SSA choirs. It's mostly homophonic but with an interesting echo effect repeated throughout. Hand drum part included in the publication. Gre...

For the first time ever, the famous Peter Lutkin benediction is available with an accompaniment in three voicings for singers of all ages. This wonderful edition by Patrick Liebergen includes an optio...

An extraordinary partnering of two spirituals! This haunting crucifixion meditation skillfully pairs Were You There When They Crucified My Lord? and All Night, All Day. The lovely C-Instrument obbliga...

a second choir, a small group of voices, a brass quartet, or solo trumpet. A powerful, yet not-too-difficult oratorio chorus.

For 3-part mixed choir or double 3-part mixed choir, with keyboard and/or brass. a second choir, a small group of voices, a brass quartet, or solo trumpet. A powerful, yet not-too-difficult oratorio c...

A straightforward Latin text and well-written vocal parts give many opportunities to develop choral techniques, impress adjudicators, and wow audiences. Add the optional flute and cello parts to enhan...

A straightforward Latin text and well-written vocal parts give many opportunities to develop choral techniques, impress adjudicators, and wow audiences. Add the optional flute and cello parts to enhan...

A straightforward Latin text and well-written vocal parts give many opportunities to develop choral techniques, impress adjudicators, and wow audiences. Add the optional flute and cello parts to enhan...

A straightforward Latin text and well-written vocal parts give many opportunities to develop choral techniques, impress adjudicators, and wow audiences. Add the optional flute and cello parts to enhan...

Mozart's Dies irae has been transposed down a major second from the original. Scored originally for S. A. T. B. voices with an accompaniment of basset horns (alto clarinets), bassoons, trumpets, timpa...

With optional congregational involvement, this new offering from Patrick Liebergen is majestic and powerful. Yet, the familiar tune NICEA makes it easily prepared and presented for a stunning moment i...

Discovery Level 2 Introduce your younger choirs to Baroque style with this short and festive selection adapted from a larger work by English composer Henry Purcell. Featuring a pair of flutes, the rhy...

Johannes Ockeghem wrote this haunting and expressive canon over 500 years ago, yet Patrick Liebergen's arrangement makes it sound as fresh as if it were written yesterday. May be performed with an anc...

Look no further for a masterwork from the Classical period that your SAB or SSA choir can learn in a hurry. Patrick Liebergen has taken this joyous Henry Purcell work and skillfully adapted it for dev...

A classic choral work from the oratorio Saul by Handel, skillfully edited and arranged by Patrick Liebergen. New secular text by the arranger makes it ideal for school use. The optional easy flute par...

An exuberant chorus by Gluck found in the Second Act of his opera Alceste is set here for SSA voices with additional dynamics and optional English words added by the arranger. This joyous and tuneful...

This joyful chorus concludes the second act of Gluck's mythological opera, as Orfeo and Euridice are reunited. The 3/4 lilt and ringing sonorities work especially well for SSA choirs.