Patrick M. Liebergen

Mozart's Dies irae has been transposed down a major second from the original. Scored originally for S. A. T. B. voices with an accompaniment of basset horns (alto clarinets), bassoons, trumpets, timpa...

Written when he was eighteen years old, Schubert's only setting of the Magnificat text is arranged here for mixed voices and piano. This exuberant piece begins with joyous acclamations in the opening...

This haunting melody has been recorded by everyone from Charlotte Church to Andrea Bocelli and no wonder: it's gorgeous. And the harmonies are lush, and unexpected for a 16th century piece. The voice...

This lovely arrangement of a brief, but artfully crafted movement from one of Mozart's masterworks is highly recommended for intermediate singers. With only a short phrase in Latin to learn, plenty of...

A triumphant Mozart masterwork for today's choirs! This joyful opera finale opens and closes with a boisterous choral fanfare, sandwiches a brief expressive vocal duet in the middle, features robust I...

SSA And Keyboard Or Opt. A cappella And Opt. Flute And Hand Drum  ?Ah!, ? is certainly the way to describe this enchanting piece. In both the musical arrangement and the editorial, educational notes p...

Antonin Dvorak was especially successful at incorporating the folk tunes of his homeland. Dyby Byla, one of his first duets based on a Moravian folk song, is brisk, short, and  delightfully fun to sin...

Talk about a child prodigy; Mozart composed and conducted the premiere of this piece when he was only 12 years old. It's less than two minutes long, but calls for solid choral singing from start to fi...

Talk about a child prodigy; Mozart composed and conducted the premiere of this piece when he was only 12 years old. It's less than two minutes long, but calls for solid choral singing from start to fi...

Talk about a child prodigy; Mozart composed and conducted the premiere of this piece when he was only 12 years old. It's less than two minutes long, but calls for solid choral singing from start to fi...

Talk about a child prodigy; Mozart composed and conducted the premiere of this piece when he was only 12 years old. It's less than two minutes long, but calls for solid choral singing from start to fi...

Here's a no-nonsense choral masterwork from the Renaissance era skillfully edited and arranged for SSA voices by Patrick Liebergen. It's canonic in nature, with a strong melody which is echoed by all...

Here's a no-nonsense choral masterwork from the Renaissance era skillfully edited and arranged for SSA voices by Patrick Liebergen. It's canonic in nature, with a strong melody which is echoed by all...

Patrick Liebergen has taken a delightful chanson by Jacques Arcadelt and adapted it for contemporary singers while retaining the essential Renaissance feel of the work. Moderate ranges. An optional pi...

Patrick Liebergen has taken a delightful chanson by Jacques Arcadelt and adapted it for contemporary singers while retaining the essential Renaissance feel of the work. Moderate ranges. An optional pi...

This well-prepared edition of Thomas Morley's 16th century madrigal may be performed a cappella or with the supportive keyboard accompaniment. Resounding homophonic phrases alternate with 'fa la la' p...

This well-prepared edition of Thomas Morley's 16th century madrigal may be performed a cappella or with the supportive keyboard accompaniment. Resounding homophonic phrases alternate with 'fa la la' p...