Patrick M. Liebergen

SSA And Keyboard Or Opt. A cappella And Opt. Flute And Hand Drum  ?Ah!, ? is certainly the way to describe this enchanting piece. In both the musical arrangement and the editorial, educational notes p...

Antonin Dvorak was especially successful at incorporating the folk tunes of his homeland. Dyby Byla, one of his first duets based on a Moravian folk song, is brisk, short, and  delightfully fun to sin...

Talk about a child prodigy; Mozart composed and conducted the premiere of this piece when he was only 12 years old. It's less than two minutes long, but calls for solid choral singing from start to fi...

Talk about a child prodigy; Mozart composed and conducted the premiere of this piece when he was only 12 years old. It's less than two minutes long, but calls for solid choral singing from start to fi...

Talk about a child prodigy; Mozart composed and conducted the premiere of this piece when he was only 12 years old. It's less than two minutes long, but calls for solid choral singing from start to fi...

Talk about a child prodigy; Mozart composed and conducted the premiere of this piece when he was only 12 years old. It's less than two minutes long, but calls for solid choral singing from start to fi...

Here's a no-nonsense choral masterwork from the Renaissance era skillfully edited and arranged for SSA voices by Patrick Liebergen. It's canonic in nature, with a strong melody which is echoed by all...

Here's a no-nonsense choral masterwork from the Renaissance era skillfully edited and arranged for SSA voices by Patrick Liebergen. It's canonic in nature, with a strong melody which is echoed by all...

Patrick Liebergen has taken a delightful chanson by Jacques Arcadelt and adapted it for contemporary singers while retaining the essential Renaissance feel of the work. Moderate ranges. An optional pi...

Patrick Liebergen has taken a delightful chanson by Jacques Arcadelt and adapted it for contemporary singers while retaining the essential Renaissance feel of the work. Moderate ranges. An optional pi...

This well-prepared edition of Thomas Morley's 16th century madrigal may be performed a cappella or with the supportive keyboard accompaniment. Resounding homophonic phrases alternate with 'fa la la' p...

This well-prepared edition of Thomas Morley's 16th century madrigal may be performed a cappella or with the supportive keyboard accompaniment. Resounding homophonic phrases alternate with 'fa la la' p...

Lilting and light, the contrasting sections of this 16th century Italian madrigal provide an ideal introduction to this important musical style. Whether you enjoy singing a cappella or with piano, con...

Lilting and light, the contrasting sections of this 16th century Italian madrigal provide an ideal introduction to this important musical style. Whether you enjoy singing a cappella or with piano, con...

Enjoy this lighthearted Renaissance-era madrigal highlighting resonant treble sonorities, terraced dynamics, and accessible homophonic voice parts. Consider adding the optional piano accompaniment, op...

Enjoy this lighthearted Renaissance-era madrigal highlighting resonant treble sonorities, terraced dynamics, and accessible homophonic voice parts. Consider adding the optional piano accompaniment, op...

A perfect piece to introduce madrigal style. Easy ranges; voices may be doubled by instruments. Available: SAB a cappella. Performance Time: Approx. :50.

From the final portion from the Gloria of Lotti's Studentenmesse, this is a beautiful example of his use of imitation and makes an excellent choice for contest or festival. Discovery Level 2. Availabl...