Michael Talbot
John Sheeles (1695-1765) published two books of harpsichord suites, in 1724 and c.1730 respectively. These basically follow in the tradition of Restoration composers such as Purcell and Croft, but mor...
John Sheeles (1695-1765) published two books of harpsichord suites, in 1724 and c.1730 respectively. These basically follow in the tradition of Restoration composers such as Purcell and Croft, but mor...
- Clavecin
- Partition
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John Sheeles (1695-1765) published two books of harpsichord suites, in 1724 and c.1730 respectively. These basically follow in the tradition of Restoration composers such as Purcell and Croft, but mor...
John Sheeles (1695-1765) published two books of harpsichord suites, in 1724 and c.1730 respectively. These basically follow in the tradition of Restoration composers such as Purcell and Croft, but mor...
- Clavecin
- Partition
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At the heart of George Berg's (oEuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Te...
At the heart of George Berg's (oEuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Te...
- Partition
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At the heart of George Berg's (oEuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Te...
At the heart of George Berg's (oEuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Te...
- Partition
- Edition HH Limited
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George Berg's eight keyboard suites, Op. 5, were published in London around 1760, while the composer was travelling in Italy. They are his most varied and resourceful compositions, following generally...
George Berg's eight keyboard suites, Op. 5, were published in London around 1760, while the composer was travelling in Italy. They are his most varied and resourceful compositions, following generally...
- Partition
- Michael Talbot
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Giuseppe Torelli (1658-1709) was the reputed father of the instrumental concerto, yet he also composed sacred vocal music. Discovered in 2001, when the Berlin Sing-Akademie's archive was returned from...
Giuseppe Torelli (1658-1709) was the reputed father of the instrumental concerto, yet he also composed sacred vocal music. Discovered in 2001, when the Berlin Sing-Akademie's archive was returned from...
- 2 Violons et Basse continue
- Conducteur et parties
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- 2 Violons et Basse continue
- Conducteur et parties
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The eighteenth century saw a great increase in secular music for solo voice and continuo set to texts in Venetian, then a recognized literary language rather than a mere Italian dialect. Most of these...
The eighteenth century saw a great increase in secular music for solo voice and continuo set to texts in Venetian, then a recognized literary language rather than a mere Italian dialect. Most of these...
- Voix élevées et Basse continue
- Conducteur et parties
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These previously unnoticed chamber duets for various pairs of voices and basso continuo are among the most original compositions from the pen of Diogenio Bigaglia (1678-1745), the Venetian monk who wa...
These previously unnoticed chamber duets for various pairs of voices and basso continuo are among the most original compositions from the pen of Diogenio Bigaglia (1678-1745), the Venetian monk who wa...
- 2 Voix et Basse continue
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These previously unnoticed chamber duets for various pairs of voices and basso continuo are among the most original compositions from the pen of Diogenio Bigaglia (1678-1745), the Venetian monk who wa...
These previously unnoticed chamber duets for various pairs of voices and basso continuo are among the most original compositions from the pen of Diogenio Bigaglia (1678-1745), the Venetian monk who wa...
- 2 Voix et Basse continue
- Conducteur et parties
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Henry Holcombe (1690-1756), né à Chester, fils d'un tisserand de soie, est devenu entre 1720 et sa mort l'un des principaux compositeurs anglais de petites formes, principalement vocales mais aussi in...
Henry Holcombe (1690-1756), né à Chester, fils d'un tisserand de soie, est devenu entre 1720 et sa mort l'un des principaux compositeurs anglais de petites formes, principalement vocales mais aussi in...
- Piano et Voix
- Partition piano
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Giuseppe Torelli (1658-1709) was the reputed father of the instrumental concerto; what is not widely known is that he also composed sacred vocal music. Discovered in 2001, when the Berlin Sing-Akademi...
Giuseppe Torelli (1658-1709) was the reputed father of the instrumental concerto; what is not widely known is that he also composed sacred vocal music. Discovered in 2001, when the Berlin Sing-Akademi...
- Voix élevées, 2 Violons et Basse continue
- Conducteur et parties
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George Berg's eight keyboard suites, Op. 5, were published in London around 1760, while the composer was travelling in Italy. They are his most varied and resourceful compositions, following generally...
George Berg's eight keyboard suites, Op. 5, were published in London around 1760, while the composer was travelling in Italy. They are his most varied and resourceful compositions, following generally...
- Piano
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Sonata 1 opens with a movement marked 'Sostenuto' and expresses to perfection the melancholy gracefulness associated with B minor. A vivacious Allegro follows, kaleidoscopic in its ever-changing rhyth...
Sonata 1 opens with a movement marked 'Sostenuto' and expresses to perfection the melancholy gracefulness associated with B minor. A vivacious Allegro follows, kaleidoscopic in its ever-changing rhyth...
- Flûte traversière et Basse continue
- Réduction piano
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Towards the end of his long life the organist Christian Michael Wolff (1707-1789), resident in the Baltic port of Stettin (today, Szczecin in Poland), achieved a degree of fame as a composer through t...
Towards the end of his long life the organist Christian Michael Wolff (1707-1789), resident in the Baltic port of Stettin (today, Szczecin in Poland), achieved a degree of fame as a composer through t...
- Flûte traversière et Piano
- Réduction piano avec les voix solo
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Trio sonatas by Italian composers from the period around 1730 that specify flutes for both upper parts are quite rare. Among the earliest known are these three concise four-movement sonatas of only mo...
Trio sonatas by Italian composers from the period around 1730 that specify flutes for both upper parts are quite rare. Among the earliest known are these three concise four-movement sonatas of only mo...
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The flute sonatas, now published in a modern edition for the first time, are all three-movement works. They bubble with life and have moments of great drama, particularly in the development sections o...
The flute sonatas, now published in a modern edition for the first time, are all three-movement works. They bubble with life and have moments of great drama, particularly in the development sections o...
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The flute sonatas, now published in a modern edition for the first time, are all three-movement works. They bubble with life and have moments of great drama, particularly in the development sections o...
The flute sonatas, now published in a modern edition for the first time, are all three-movement works. They bubble with life and have moments of great drama, particularly in the development sections o...
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La principale publication de Skinner est un ensemble de six sonates pour flûte, violon ou clavecin seul, qui paraît en 1752. Ces pièces sans prétention, à l'époque comme aujourd'hui bien adaptées à l'...
La principale publication de Skinner est un ensemble de six sonates pour flûte, violon ou clavecin seul, qui paraît en 1752. Ces pièces sans prétention, à l'époque comme aujourd'hui bien adaptées à l'...
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La principale publication de Skinner est un ensemble de six sonates pour flûte, violon ou clavecin seul, qui paraît en 1752. Ces pièces sans prétention, à l'époque comme aujourd'hui bien adaptées à l'...
La principale publication de Skinner est un ensemble de six sonates pour flûte, violon ou clavecin seul, qui paraît en 1752. Ces pièces sans prétention, à l'époque comme aujourd'hui bien adaptées à l'...
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This compact sinfonia is an early example of a true chamber sinfonia: that is, an offshoot of the Italian-style operatic overture intended from the start to be a free-standing composition for use in e...
This compact sinfonia is an early example of a true chamber sinfonia: that is, an offshoot of the Italian-style operatic overture intended from the start to be a free-standing composition for use in e...
- 2 Violons, Alto et Basse continue
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Towards the end of his long life the organist Christian Michael Wolff (1707-1789), resident in the Baltic port of Stettin (today, Szczecin in Poland), achieved a degree of fame as a composer through t...
Towards the end of his long life the organist Christian Michael Wolff (1707-1789), resident in the Baltic port of Stettin (today, Szczecin in Poland), achieved a degree of fame as a composer through t...
- Flûte traversière, Cordes et Basse continue
- Partition
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Towards the end of his long life the organist Christian Michael Wolff (1707-1789), resident in the Baltic port of Stettin (today, Szczecin in Poland), achieved a degree of fame as a composer through t...
Towards the end of his long life the organist Christian Michael Wolff (1707-1789), resident in the Baltic port of Stettin (today, Szczecin in Poland), achieved a degree of fame as a composer through t...
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Wolff's Concerto in G major for Flute, Strings and Basso Continuo encloses a wistful Largo in E minor between a stately Moderato and a sprightly, dance-like Allegretto. The solo instrument is treated...
Wolff's Concerto in G major for Flute, Strings and Basso Continuo encloses a wistful Largo in E minor between a stately Moderato and a sprightly, dance-like Allegretto. The solo instrument is treated...
- Flûte traversière, Cordes et Basse continue
- Réduction piano
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L'opinion de Stanley Sadie, exprimée en 1963, selon laquelle les deux des douze sonates en trio de Frederick Ernest Fisher (1711/12-1760), réparties à parts égales entre l'opus 1 (vers 1751) et l'opus...
L'opinion de Stanley Sadie, exprimée en 1963, selon laquelle les deux des douze sonates en trio de Frederick Ernest Fisher (1711/12-1760), réparties à parts égales entre l'opus 1 (vers 1751) et l'opus...
- 2 Violons, Violoncelle et Clavecin
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