Malcolm Archer

This uplifting anthem combines two well-known texts that are commonly read at weddings: 1 Corinthians 13:13 ('And now these three remain: faith, hope, and love. But the greatest of these is love.') an...

This attractive anthem demonstrates Archer's gift for melody and structure. Tuneful and appealing, it can be used at any time within the Church's year but is particularly suitable during Advent and Ea...

Archer's setting of this popular Easter hymn by G. R. Woodward is sparkling with energy, combining the exuberant seventeenth-century Dutch melody with short organ interjections. An exciting addition t...

Twenty-five anthems for mixed voices compiled by Malcolm Archer.

After the Last Verse provides short extemporary pieces which may be used to fill in after the hymn has finished, at moments like the offertory, or when a procession still has a little way to go. Most...

This exciting work packs a huge amount of musical variety into its compact frame, despite being written with the needs of developing organists in mind. A fanfare-like section in 3-time twice gives way...

This exciting work packs a huge amount of musical variety into its compact frame, despite being written with the needs of developing organists in mind. A fanfare-like section in 3-time twice gives way...

Setting his own text, Archer's new carol is specifically dedicated to Mary. 'Ave Maria's are interspersed between flowing melodies that rock gently in 3/4 time, while the central section offers brief...

A little child there is yborn is a cheerful and spritely carol with words celebrating the birth of Jesus. Supported by a busy organ part, the lilting vocal lines bounce between 4/4 and 7/8 and are col...

Setting his own text, Archer's new carol is specifically dedicated to Mary. 'Ave Maria's are interspersed between flowing melodies that rock gently in 3/4 time, while the central section offers brief...

A little child there is yborn is a cheerful and spritely carol with words celebrating the birth of Jesus. Supported by a busy organ part, the lilting vocal lines bounce between 4/4 and 7/8 and are col...

From the collection Anthems for SA and Men, 'Faith, hope, and love remain' is a reflective anthem by Malcolm Archer, scored for SA & men with organ/piano. The text combines two Biblical extracts commo...

A beautiful arrangement of the Besançon carol, with words by Eleanor Farjeon, suitable for all mixed-voice choirs at Advent. First published in the The New Oxford Easy Anthem Book.

Archer's beautiful new setting of this well-known text provides a wonderful alternative to more familiar versions. The attractive melodic line is presented in various ways: first in unison, then imita...

Archer's beautiful new setting of this well-known anonymous text provides a wonderful alternative to more familiar versions. This charming Advent carol is also available in an arrangement for upper vo...

This gentle setting of a prayer by Alcuin of York has an appealing melody and warm harmonies. After opening with a verse for sopranos only, Archer varies the vocal texture for each successive verse, c...

This is an energetic setting of a traditional text, with a memorable tune, attractive sequences and an exciting climax, all in a lilting swing. A version for upper voices is also available.

Archer's setting of Timothy Dudley-Smith's A sound of singing fills the air is joyful and uplifting, with a charming melody and warm harmonies. Heralding the birth of Jesus with its jubilant 'gloria'...

This work is by turns joyous and reflective. Rich harmonies, shifting tonalities, and expressive melodies combine to evoke the changing moods explored within the text. The poignant Andante section giv...

Anthems Of Malcolm Archer

A setting for boy voices.

A beautiful arrangement of the Besanþon carol, with words by Eleanor Farjeon, suitable for all mixed-voice choirs at Advent. First published in the The New Oxford Easy Anthem Book.

This enchanting setting of a text by Bishop Timothy Dudley-Smith is a welcome addition to the carol repertoire. With its endearing yet straightforward melody, it has broad appeal and is suitable for c...

This exciting piece was composed as a television theme in 1959. Like an Elgar Pomp and Circumstance march, it alternates punchy fanfare textures with a warm and supremely 'English' melody. In the hand...