Jimmy McHugh

First introduced in 1928, this familiar song has gone on to become one of the most recorded standards of all time, including recently by Tony Bennett with Lady Gaga. This swingin' version for vocal so...

S'ouvrant sur un petit groupe (alto, ténor, trompette et trombone), cet arrangement facile offre une grande variété de partitions et un style swing modéré très fluide. Il comprend également un bref so...

Un autre arrangement émouvant de Peter Kleine Schaars ; cette fois, il a choisi la célèbre chanson "On the Sunny Side of the Street", interprétée par tous les grands crooners et chanteurs de jazz. Ell...

S'ouvrant sur un petit groupe (alto, ténor, trompette et trombone), cet arrangement facile offre une grande variété de partitions et un style swing modéré très fluide. Il comprend également un bref so...

Recorded by New York Voices on their Sing, Sing, Sing album, this contemporary Darmon Meader arrangement offers superb vocal jazz writing. Perform with the SoundPax or consider using the full jazz ban...

This timeless classic has long been a favorite with jazz singers. Mark's version is in a medium swing style and provides a terrific background for your featured vocalist.

Creative use of unisons will give young groups added confidence, and the polished ensemble writing adds just the right contrasts in this Basie-style masterpiece.

McHugh wrote for all areas of popular music, including melodies for The Cotton Club, Broadway and Hollywood musicals. His musical collaborators read like a Who's Who of songsters; besides his early pa...

Standard du jazz dans tous les sens du terme, cette chanson de Jimmy McHugh et Dorothy Fields a fait l'objet d'innombrables interprétations et reprises depuis 1930. Polyvalent et vivant, cet arrangeme...

Written for an obscure, short-lived musical that never made it to Broadway, this song caught the ear of Nat King Cole who promptly recorded it in 1956 and it became a lesser-known standard in the grea...

Written for an obscure, short-lived musical that never made it to Broadway, this song caught the ear of Nat King Cole who promptly recorded it in 1956 and it became a lesser-known standard in the grea...

Written for an obscure, short-lived musical that never made it to Broadway, this song caught the ear of Nat King Cole who promptly recorded it in 1956 and it became a lesser-known standard in the grea...

Written for an obscure, short-lived musical that never made it to Broadway, this song caught the ear of Nat King Cole who promptly recorded it in 1956 and it became a lesser-known standard in the grea...